Next book

Split Rock

A NOVEL

This well-written work benefits from the heroine’s admirable willingness to examine herself honestly.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this debut novel, a married woman confronts her might-have-beens and searches for her true self.

Annie Tucker, her husband, Gordon, and their three young children have spent many peripatetic years in Asia as Gordon climbed the career ladder. Now, in 1997, with the handover of Hong Kong approaching, they’ve moved back to the United States and are decamping to Martha’s Vineyard for the summer to stay in the small house left to Annie by her beloved Aunt Faye. Annie possesses many warm memories of the island’s beauty—and of Chase St. Clair, the former love of her life. When Gordon is called back to Hong Kong to deal with an emergency lasting weeks, perfectionist Annie must manage things, and soon becomes overwhelmed by the difficulties of life without a nanny or an instant expatriate community. When Annie nearly drowns after getting caught in a riptide and tells Gordon, significantly toning down the story, he doesn’t seem to listen, hurting her feelings. Vulnerable from the scare and sad about Faye, Annie runs into Chase (still handsome, still broad-shouldered, now married with kids), and strong emotions are stirred in both. Annie must figure out how real her feelings are for Chase; in the meantime, she makes some friends, acquires a dog and a mother’s helper, and faces down her now biggest fear: the ocean. In the process, she becomes more accepting of life’s cracks and imperfections. In her novel, Eger shows herself to be an intelligent, sensitive storyteller with a strong sense of place, vividly evoking the Vineyard’s residents, landmarks, shops, and atmosphere. She writes dialogue, creates characters, and develops her tale with great skill. But Annie’s life is so privileged that her very mild conflicts can fail to engage the reader. As she admits, “A lot of women would kill to have my problems.” Perhaps on this account, Eger gins up drama with Annie’s second dangerous swim; unlike so much of the book, which unfolds more naturally, this episode feels like contrived, forced redemption—even ending with an all-too-symbolic rainbow.

This well-written work benefits from the heroine’s admirable willingness to examine herself honestly. 

Pub Date: Aug. 5, 2016

ISBN: 978-0-9978351-0-6

Page Count: 368

Publisher: Conzett Verlag

Review Posted Online: Sept. 15, 2016

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Close Quickview