A well-observed, colorfully illustrated book about a close-knit family’s day-to-day life.

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SUMMER AT THE Z HOUSE

A little boy, his mom and assorted pets enjoy a summertime visit from Grandma in this warm chronicle of everyday family life, enlivened with vocabulary-rich text and quirky illustrations.

When Grandma arrives for a visit, her engaged, caring presence makes the summer days more fun for Noah, his mom, and their animals, which include a dog named Pepper and three cats. Grandma turns dinner into a special occasion by writing descriptions of her feast (salad, roast beef, chocolate pudding) on a menu that Noah happily reads aloud before each course—a subtle underscoring of the author’s mission to encourage reading among her target audience. Grandma enjoys hearing about Noah’s creative day camp endeavors, which include crafting masks, making a totem pole and creating cartoons with clay figures (all beguilingly and colorfully imagined by illustrators Stommel and Czekalski). She also shares the family’s love for animals. The book is the third in a series of books centered on Noah, his mom and their growing collection of pets, each with its own distinct personality. Zanville (How the Dog Came to Live at the Z House, 2013, etc.), a veteran educator and a regular blogger about reading and literacy at zhousestories.com,offers vivid images throughout; for example, during the family’s trip to an aquarium, Noah observes “miniature jellyfish that looked like white parachutes with dangly tentacles” and “glowed in the lights of their dark tanks so brightly—it was like looking at little stars in the sky.” There are no wacky plot twists here—just refreshingly genuine warmth and quiet observations of real-life moments among family members, be they human, canine or feline.

A well-observed, colorfully illustrated book about a close-knit family’s day-to-day life.

Pub Date: Oct. 27, 2013

ISBN: 978-1-4819-5234-7

Page Count: 40

Publisher: CreateSpace

Review Posted Online: Jan. 27, 2014

Kirkus Reviews Issue: March 1, 2014

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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