More politics than novel. A movie version could be more interesting than the print.
A political drama set against the backdrop of the Three Gorges Dam project in China.
Why Hong (K: The Art of Love, 2002, etc.) would choose to fight the damming of the Yangtze River and its resultant environmental damage by writing a novel is a question that arises from a reading of this one. Why she would provide an autobiographical preface explaining her own involvement with the Three Gorges region, then an afterword outlining the Chinese legend on which her book is based, is another. As a stylist, Hong is no W.G. Sebald, and when she creates situations that have environmental innuendos—a scene that takes place in a laboratory, for example, while a sandstorm rages outside—she telegraphs them as meaningful details, explorations of natural power to be controlled, and reflections of her characters’ internal sensibilities. The story focuses on genetic engineer Liu, whose husband, Li, is the director of the dam project (they have in common that both seek to manipulate nature). When Li, a busy, moveable target, uncharacteristically has a pretty underling deliver a large bottle of perfume to Liu, Liu becomes suspicious and sets out to track him down. In the process, she takes a trip back to the region of her youth, where she learns about the corrupt world of the previous generation, including her father’s involvement with the discrediting of his own friends, and perhaps her husband’s lethal corruption. There, she meets Yueming, poor artist son of her mother’s former best friend, who was born on the same day as Liu herself and who organizes protests against the high-handed treatment of peasants forced to vacate their land because of the dam project. In the end, the two approximate the legendary attempted escape of a prostitute and a monk who were executed solely to satisfy the personal ambition of Liu and Yueming’s fathers, 50 years before.
More politics than novel. A movie version could be more interesting than the print.Pub Date: Oct. 1, 2004
ISBN: 0-7145-3100-6
Page Count: 340
Publisher: Marion Boyars
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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