Horror Book Reviews (page 61)

THE COUNT OF ELEVEN by Ramsey Campbell
THRILLERS
Released: June 1, 1992

"Back to the occult, Mr. Campbell, please."
Though best known for his occult horror (Midnight Sun, 1990, etc.), Campbell built his career on psychothrillers barely tinged with the uncanny (The Doll Who Ate His Mother, 1976, etc.). Read full book review >
LITTLE BOY LOST by T.M. Wright
THRILLERS
Released: June 1, 1992

"Golden-eyed Marie and sharply etched if familiar effects- -shrill winds, looming trees, eerie scratchings—provide a few chills, but not enough to solidify Wright's gaseous plotting."
A six-year-old is kidnapped by his demonic mom—in a fuzzy, soft-core horror yarn from Wright (The School, 1990, etc.) Read full book review >

A QUESTION OF TIME by Fred Saberhagen
THRILLERS
Released: May 1, 1992

"Starts well, ends comic-strippy."
Dark fantasy about a deformity in time in the Grand Canyon, by the author of the Berserker and Lost Swords series, etc. Saberhagen begins his time-warp tale by anchoring it solidly in gritty 1935, with down-and-outer Jake Rezner coming across a young woman artist in the Grand Canyon with whom he falls into an affair. Read full book review >
SPIRITWALK by Charles de Lint
THRILLERS
Released: May 1, 1992

"A disappointment from the author of Jack the Giant Killer and Drink the Moon."
A ``fix-up'' to de Lint's Moonheart (1984), consisting of one short and three long stories previously published separately and a brief prologue. Read full book review >
LAST CALL by Tim Powers
SCIENCE FICTION & FANTASY
Released: April 20, 1992

"Knockout poker sequences give the symbolism real sizzle, while the genre is enlivened throughout with great lines from Eliot."
Rich, top-flight mythic fantasy based on Jungian archetypes, Tarot symbolism, T.S. Eliot's The Waste Land, and the Parsifal legend; by the smartly acclaimed author of On Stranger Tides, 1987, etc. Luck could not flow with more Jungian synchronicity for Powers than his having cast Bugsy Siegel as The Fisher King in this long novel just as Warren Beatty's Bugsy has fixed the nation's eye on the Oscar race, along with Robin Williams's turn as The Fisher King. Read full book review >

DARK AT HEART by Karen Lansdale
FICTION & LITERATURE
Released: April 15, 1992

"What might have been a groundbreaking anthology, a Dark Forces of crime fiction, proves nothing more than a competent but uninspired anthology with no cutting edge."
WOLF FLOW by K.W. Jeter
THRILLERS
Released: April 1, 1992

"Gripping in patches, then, but the patches conceal a number of leaks."
Gritty, spare but rather empty horror yarn from the author of Dr. Adder, Farewell, Horizontal, Infernal Devices, etc. Vicious drug-dealer Aitch and his reluctant sidekick Charlie beat their erstwhile partner Mike, a doctor and drug addict, to a pulp, then throw him from a car in the high desert of eastern Oregon following an attempted double-cross. Read full book review >
SNAKE EYES by Rosamond Smith
FICTION & LITERATURE
Released: Feb. 10, 1992

"Slick, professional, and utterly predictable—it reads like a sly and expert parody of the whole psycho-menace genre."
This latest gothic potboiler from the thinly veiled Joyce Carol Oates pits a wide-eyed suburban lawyer and his oh-so-perfect family against the convicted murderer who comes to live in their hometown when he's served the eight years of his ``life sentence.'' Though he's never met tattooed Vietnam vet Lee Roy Sears, Michael O'Meara was instrumental five years earlier in getting his original death sentence commuted to life, and he's kept up a correspondence (much to his beautiful, decorously promiscuous wife Gina's dismay) that encourages Sears to set up shop as a supposedly gifted sculptor in Mount Orion, New Jersey. Read full book review >
THE SEASON OF PASSAGE by Christopher Pike
SCIENCE FICTION & FANTASY
Released: Feb. 1, 1992

"Not without its ups and downs but, at its best, both riveting and a back-prickler."
Pike (Sati, 1990) leaves behind the young YA horror/suspense field to show what he can do with horror for adults and scores strongly—in a novel that covers many genres: suspense/fantasy/sf/horror. Read full book review >
WEREWOLF by Peter Rubie
THRILLERS
Released: Jan. 15, 1992

"The blacked-out rubble and impending bloodshed, as well as the slurp-slurp-crunch-crunch of the feeding werewolf, have their reading joys, but step-by-step police procedure fails to energize the storytelling."
Atmospheric boy-werewolf horror novel set against the London blitz. Read full book review >
WETBONES by John Shirley
THRILLERS
Released: Jan. 1, 1992

"The queasies'll getcha if you don't watch out!"
G-R-R-I-S-L-Y...by the author of A Splendid Chaos (1988). Read full book review >
AFTER THE KING by Martin H. Greenberg
SCIENCE FICTION & FANTASY
Released: Jan. 1, 1992

"The Halfling House,'' egregious at 29 pages) that would have made Tolkien himself wince—but, still, the strongest tales here are among the best short-length fantasy of the year."
Yet another Festschrift anthology by Greenberg, who has recently edited or coedited tributes to Isaac Asimov, Ray Bradbury, and H.P. Lovecraft, this time to honor the much-imitated author of The Hobbit and The Lord of the Rings. Read full book review >
Kirkus Interview
Michael Eric Dyson
February 2, 2016

In Michael Eric Dyson’s rich and nuanced book new book, The Black Presidency: Barack Obama and the Politics of Race in America, Dyson writes with passion and understanding about Barack Obama’s “sad and disappointing” performance regarding race and black concerns in his two terms in office. While race has defined his tenure, Obama has been “reluctant to take charge” and speak out candidly about the nation’s racial woes, determined to remain “not a black leader but a leader who is black.” Dyson cogently examines Obama’s speeches and statements on race, from his first presidential campaign through recent events—e.g., the Ferguson riots and the eulogy for the Rev. Clementa Pinckney in Charleston—noting that the president is careful not to raise the ire of whites and often chastises blacks for their moral failings. At his best, he spoke with “special urgency for black Americans” during the Ferguson crisis and was “at his blackest,” breaking free of constraints, in his “Amazing Grace” Charleston eulogy. Dyson writes here as a realistic, sometimes-angry supporter of the president. View video >