THE RAILWAY POLICE AND THE LAST TROLLEY RIDE

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THE RAILWAY POLICE AND THE LAST TROLLEY RIDE

Name: THE RAILWAY POLICE AND THE LAST TROLLEY RIDE
Author: Hortense Calisher
ISBN: 1125155019

by Hortense Calisher ‧ RELEASE DATE: May 9, 1966

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In the first of these two novellas, Miss Calisher is more recognizable— it is less cabalistic than her most recent Journal from Ellipsia, but it has much of the highstrung, rather elegant flair associated with a good deal of her writing. In it a beautiful, but bald, social worker of middle years retraces some of her earlier history, all connected with the fact of her inheritance as a rather rare genetic sport which leaves her not only hairless but also manless— a lover faces her total nudity aghast and sends her a Picasso as a parting gift. Now, shedding her past, and her headpieces, she is ready to "desert everything... to greet all there is." It's a rather fascinating, fetishistic parable of reality and evasion. The Last Trolley Ride is something very different, almost twice as long, and until its twisted finale, half as interesting, as an old man commemoratively reviews the past in a small upstate New York town. Here a man keeps a model of the tramway system which has broken him in his basement, while above ground it now comes to a dead end. And there's also the double-tracked romance between two men off a barge and two sisters. The story, simply, ruminatively remembered, ends on a note of shattering sexual horror..... Reviews will be there—but readers

Pub Date: May 9, 1966

ISBN: 1125155019

Page Count: -

Publisher: Little, Brown

Review Posted Online: March 23, 2012

Kirkus Reviews Issue: May 1, 1966

Categories:

GENERAL FICTION

- BOOK REVIEW
TATTOO FOR A SLAVE
by Hortense Calisher

- BOOK REVIEW
SUNDAY JEWS
by Hortense Calisher

- BOOK REVIEW
THE NOVELLAS OF HORTENSE CALISHER
by Hortense Calisher

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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THE CATCHER IN THE RYE

by J.D. Salinger ‧ RELEASE DATE: June 15, 1951

A strict report, worthy of sympathy.

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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.