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THE DESERT OF SOULS

Sufficiently involving to keep readers coming back for more.

Middle Eastern sword-and-sorcery debut and first of a series.

In 8th-century Baghdad, young Jaffar the vizier grows bored and decides to adventure anonymously into the city's less salubrious quarters; he will be accompanied by guard captain Asim and scholar Dabir. To their astonishment, a bleeding man falls dying at their feet, hotly pursued by two sinister figures who claim the man is a thief. Indeed, the now dead man was carrying an ancient, inscribed gold door-pull of which Dabir immediately takes possession; the murderers, for so they turn out to be, vanish. Able to translate the inscription, Dabir declares the object to be a means to open a magical doorway—but located in the marvelous bejeweled city of Ubar, long destroyed and forgotten beneath the desert sands. However, the murderers—Diomedes, a Greek sorcerer and spy, and Firouz, a vengeful fire wizard of the Magi—soon recover the object by magical means and swiftly exit Baghdad. Jaffar dispatches Asim, Dabir and a contingent of guards to recover the door-pull. Not only must they trail the elusive and highly dangerous thieves, they also must learn the whereabouts of lost Ubar, figure out what Firouz intends and then stop him. Anachronisms and all, the ambiance captures much of the civilized, tolerant spirit of the ancient caliphate. The rest is Middle East lite, with a serviceable plot, few claims to originality and appealing odd-couple protagonists in Asim and Dabir.

Sufficiently involving to keep readers coming back for more.

Pub Date: Feb. 1, 2011

ISBN: 978-0-312-64674-5

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: Dec. 1, 2010

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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