A collection of delightful and still relevant stories that certainly earns its resurrection.
Nine fantastical, oddly endearing short stories rescued from the ravages of time.
The late Fast (Greenwich, 2000, etc.) was a writer with a lot of roles, among them an activist against the Red Scare of the 1950s, which landed him a three-month prison sentence. He’s probably best known for writing the novel Spartacus (1951), which Stanley Kubrick famously adapted into the classic film. But he was also one of the most prolific authors of the 20th century, having written nearly 100 books, including both fiction and nonfiction as well as plays, poetry, and hundreds of short stories. Here, a collection of nine stories sharing fabulist tendencies, originally published in 1970, has been reissued, and it's well worth revisiting. The title story has the absurd humor of Catch-22, as a profane general brings down a real-life angel out of the skies over Vietnam. In “The Mouse,” the title character argues philosophy with a pair of visiting astronauts. “The Vision of Milty Boil” is a Kafkaesque satire on society; a small man brings the world down to his size through extraordinary effort and questionable justification. “The Mohawk” is very much an artifact of its time yet also timeless: A man named Clyde Lightfeather decides to meditate on the front steps of New York’s famous St. Patrick’s Cathedral. The prescient story “The Wound” seems familiar these days, as an absurdly dumb businessman proposes detonating atomic bombs underground to profit from mining oil shale. “Tomorrow’s Wall Street Journal” is a literal devil’s bargain written with the wit and style of O. Henry. “The Interval” is a first-person reflection on age and time by a grieving widower. “The Movie House” is something of a Schrödinger’s cat quandary involving a locked door inside a theater and the projectionist who insists it can’t be opened. Finally, in “The Insects,” Fast ends with the apocalypse, initiated not by the dreaded Communists but by nature itself.
A collection of delightful and still relevant stories that certainly earns its resurrection.Pub Date: Dec. 3, 2019
ISBN: 978-0-06-290844-5
Page Count: 160
Publisher: Ecco/HarperCollins
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Once again, a highly impressive must-read.
Second part of an alien-contact trilogy (The Three-Body Problem, 2014) from China’s most celebrated science-fiction author.
In the previous book, the inhabitants of Trisolaris, a planet with three suns, discovered that their planet was doomed and that Earth offered a suitable refuge. So, determined to capture Earth and exterminate humanity, the Trisolarans embarked on a 400-year-long interstellar voyage and also sent sophons (enormously sophisticated computers constructed inside the curled-up dimensions of fundamental particles) to spy on humanity and impose an unbreakable block on scientific advance. On Earth, the Earth-Trisolaris Organization formed to help the invaders, despite knowing the inevitable outcome. Humanity’s lone advantage is that Trisolarans are incapable of lying or dissimulation and so cannot understand deceit or subterfuge. This time, with the Trisolarans a few years into their voyage, physicist Ye Wenjie (whose reminiscences drove much of the action in the last book) visits astronomer-turned-sociologist Luo Ji, urging him to develop her ideas on cosmic sociology. The Planetary Defense Council, meanwhile, in order to combat the powerful escapist movement (they want to build starships and flee so that at least some humans will survive), announces the Wallfacer Project. Four selected individuals will be accorded the power to command any resource in order to develop plans to defend Earth, while the details will remain hidden in the thoughts of each Wallfacer, where even the sophons can't reach. To combat this, the ETO creates Wallbreakers, dedicated to deducing and thwarting the plans of the Wallfacers. The chosen Wallfacers are soldier Frederick Tyler, diplomat Manuel Rey Diaz, neuroscientist Bill Hines, and—Luo Ji. Luo has no idea why he was chosen, but, nonetheless, the Trisolarans seem determined to kill him. The plot’s development centers on Liu’s dark and rather gloomy but highly persuasive philosophy, with dazzling ideas and an unsettling, nonlinear, almost nonnarrative structure that demands patience but offers huge rewards.
Once again, a highly impressive must-read.Pub Date: Aug. 11, 2015
ISBN: 978-0-7653-7708-1
Page Count: 480
Publisher: Tor
Review Posted Online: June 2, 2015
Kirkus Reviews Issue: June 15, 2015
BOOK TO SCREEN
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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