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WHO'S SORRY NOW?

Jacobson is often likened to Philip Roth, but there’s plenty of Isaac Bashevis Singer in his somewhat weary understanding of...

Another middle-age-angst–meets–sex-romp comedy from Jacobson (Man Booker Prize winner The Finkler Question, 2010, etc.), that great chronicler of modern rakery.

Originally published in Britain in 2002, before news of its author crossed the waters to these shores, Jacobson’s shaggy dog story is a little more descriptive and a little less conversational than his more recent work. Marvin Kreitman, South London’s luggage purveyor par excellence, is a picaresque lothario who just can’t help being who he is: He loves women unconditionally and unreasonably, so much so that besides the four women in his life—mother, wife (“When she wasn’t Oedipus she was Jocasta”), two daughters—he is desperately attempting to juggle relationships with five others. Added to this busy schedule, he keeps a standing lunch date each week with a school friend named Charlie who’s always been a bit of a schlimazel (“He drooped disconsolately, like a puppy who had grown too big for its owner and been thrown onto the streets”), even though he has a stable, apparently happy marriage of long standing and enjoys some success as the author of children’s books. Yet Charlie, like Kreitman (Jacobson uses the first name for the former, the last name for the latter, as if to suggest the differences in emotional age and worldliness), is vaguely dissatisfied, and he proposes an arrangement that surprises even the ever-scheming Kreitman. Before things can go too far, fate intervenes in the form of a schlemiel (“Not merely Man with No Qualities but Man with No Prospects of Qualities”) who complicates things dangerously, revealing Kreitman’s fixations as being the silly but eminently harmful things that they are. Things cannot help but end—well, if not badly, then in a little more disarray than when the tale began.

Jacobson is often likened to Philip Roth, but there’s plenty of Isaac Bashevis Singer in his somewhat weary understanding of the human condition. Fans won’t be disappointed.

Pub Date: July 23, 2013

ISBN: 978-1-60819-686-9

Page Count: 336

Publisher: Bloomsbury

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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