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RUNNING FOR THE HOUSE

An entertaining, if shallow, thriller.

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An aspiring congressman is unwittingly a pawn in a complicated game of political espionage.

Kleinhendler’s debut thriller is the story of Michael Gordon, a businessman who decides to enter politics in midlife and run for Congress. Unbeknownst to Gordon, however, the people encouraging him to run and managing his campaign are members of a secret cabal known only as “the committee.” A sort of black-ops unit loosely connected with the Drug Enforcement Administration, the committee contains some of the world’s top spies. Their goal is to create a deadly biological weapon to combat the Russian control of South American drug markets, and their hope is to install Gordon as a puppet in Congress to help further their agenda. Gordon goes blithely along with the plan, never really suspecting just how much he is being manipulated and what he has really gotten himself into. The seemingly unerring committee rarely stumbles. They are able to pull the strings of virtually every other character in the book, even infecting one person with cancer. Kleinhendler certainly skimps on the character development in favor of thrills and complicated schemes. This is especially true when it comes to his female characters—nearly all are impossibly beautiful, sexy, smart and good with a gun. The convoluted plot—full of spies and femmes fatales—gets ever knottier as it nears its climax, and it’s hard to remember who is out to kill whom. Yet, this novel seems to bask in all of its thrills, sex and violence, and it’s appealing for not pretending to be anything other than what it is. It could be tailor-made for a Hollywood summer blockbuster, one where the guns rule the action while the stars coolly say lines like, “That was quite a mess in Rio.” In a time when the scope of the National Security Agency remains a hot-button issue, and drug cartels continue to wreak havoc around the world, this novel taps into a kind of escapist cultural zeitgeist.

An entertaining, if shallow, thriller.

Pub Date: Sept. 9, 2014

ISBN: 978-1500282585

Page Count: 318

Publisher: CreateSpace

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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DRAGON TEETH

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...

In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.

William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.

Pub Date: May 23, 2017

ISBN: 978-0-06-247335-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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