A collection of 22 cosmic wonder tales that pay tribute to this century’s most revered master of the macabre. The jacket miscalls these reprints originals. In the spiral black vortices of the ultimate void of Chaos reigns the blind idiot god Azathoth, the supreme deity in the Lovecraft pantheon of slime-tentacled horrors from out of space and time. At the zenith of the publication of pulp mags, Lovecraft did not write space opera like the sagas of Edmond Hamilton with his lively Captain Future series. Instead, he created his own genre and filled it with huge psycholgloppy horrors. Do the Cthulhu trade thoughts and live on the sea-bottom while being set on taking over the planet, as one Lovecraft pasticheur suggests? In an introduction, James Turner says that while early Lovecraft had the Cthulhu as merely demonic, the more adult Lovecraft became cosmic—and yet there is no set shape or static system to his Cthulhu cosmogony. These gigantic cosmic slipslops and their Mythos (strange word!) make the visiting extraterrestrials of The X-Files mere kindergarten fodder. Two stories by Lovecraft are here, —The Call of Cthulhu— and —The Haunter of the Dark,— both Lovecraft at his clearest yet most eldritch (i.e., uncanny, alien, weird), while —Jerusalem’s Lot— finds a young Stephen King vamping old H.P. Among others on hand are Robert Bloch, Fritz Leiber, Ramsey Campbell, Joann Ross, August Derleth, Clark Ashton Smith, and Colin Wilson with Brian Lumley as utterly committed Lovecraftians. And alone worth the price of this paperback is Richard A. Luboff’s gorgeously grandiose —Discovery of the Ghooric Zone,— about three cyborgs having sex aboard a spaceship traveling beyond Pluto to our monstrously massive but mysteriously known tenth planet, Yuggoth, which has its own complex systems of moons. Hey, try to beat that.
Pub Date: Oct. 1, 1998
ISBN: 0-345-42204-X
Page Count: 480
Publisher: Del Rey/Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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