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THE PILGRIM

The author's return to historical fiction raises human questions with immediacy and flair.

Coming of age as a New England Pilgrim was a tough, bloody and sexy business.

Charles Wentworth always had doubts. Raised in the English town of Winterbourne, "a godly town," as the son of a minister, the young man has all his needs cared for. But unlike his father, or even their illiterate servant Ben, his faith is shaky. Perhaps because of various heartaches and brutality not uncommon as the 17th century began—the death of his mother, the hanging of his nursemaid for infanticide, the smallpox that claims a friend and leaves him scared—Charles cannot believe he will be among the elect, those he believes are predestined to be saved. Even his love of learning seems to be a trick of the Devil's, a lure into vanity. Unwilling to finish his degree at Cambridge, young Charles bounces around, falling often into such sins as getting drunk and even visiting whores, despite his basic leaning toward the spare "true faith"—or Puritan—religion that his father secretly espoused. When the opportunity to emigrate to New England comes, he grabs it. The freedom to worship, however, comes with starvation, sickness and the constant fear of Indian attacks. It also brings the promise of new love and—eventually—the promise of salvation. Told in a straightforward first-person that indulges in just enough period detail to sound convincing, Nissenson’s latest (The Days of Awe, 2005, etc.) is a marvelously intimate look back through time. Charles' fears and desires are made quite believable as he recalls the everyday horrors of the time—and the bits of Scripture that both justified and aggravated them. And while the young protagonist earnestly seeks salvation, his all-too-human failings—such as when he and the pretty Abigail Winslow flirt on the Sabbath—make him as sympathetic as any young striver since Holden Caulfield. 

The author's return to historical fiction raises human questions with immediacy and flair.

Pub Date: Nov. 8, 2011

ISBN: 978-1-4022-0924-6

Page Count: 368

Publisher: Sourcebooks Landmark

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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