by Huynh Quang Nhuong & illustrated by Jean Tseng & Mou-sien Tseng ‧ RELEASE DATE: Nov. 30, 1997
The village social life and customs in the central highlands of Vietnam prior to the involvement of the US provide an affecting platform for the author's warm memories of a childhood enriched by close relationships with the animals vital to the family's economic survival. Delicate pencil drawings accompany the first-person narrative that shows the role water buffaloes played during dry-season farming and rainy-season hunting. They were creatures of such importance that, when one named Water Jug dies of old age, it is only fitting that he is buried in the graveyard, ``as we had done for all the dead of our family.'' The boy hopes for a new bull with the same gentle temperament as Water Jug's, but his father has always dreamed of a replacement bull that would be not only a valuable worker, but a strong fighter and true leader when tigers, panthers, and lone wild hogs from the jungle threaten the village's herd. The father brings home a calf from a distant village, but delays naming him until his nature makes one apparent. After a fight in which he bests the reigning leader of the herd, the young bull is named Tank. Fierce in battle, Tank's gentleness otherwise earns him the respect of the village, and readers will come to admire him; his death, the result of ``a single misplaced bullet'' in a military skirmish, is very affecting. In Tank's passing, the author brings home the waste of war, in a book written from the heart. (Autobiography. 7-10)
Pub Date: Nov. 30, 1997
ISBN: 0-06-024957-9
Page Count: 122
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
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by Pat Mora & illustrated by Raúl Colón ‧ RELEASE DATE: Aug. 1, 1997
A charming, true story about the encounter between the boy who would become chancellor at the University of California at Riverside and a librarian in Iowa. Tom†s Rivera, child of migrant laborers, picks crops in Iowa in the summer and Texas in the winter, traveling from place to place in a worn old car. When he is not helping in the fields, Tom†s likes to hear Papa Grande's stories, which he knows by heart. Papa Grande sends him to the library downtown for new stories, but Tom†s finds the building intimidating. The librarian welcomes him, inviting him in for a cool drink of water and a book. Tom†s reads until the library closes, and leaves with books checked out on the librarian's own card. For the rest of the summer, he shares books and stories with his family, and teaches the librarian some Spanish. At the end of the season, there are big hugs and a gift exchange: sweet bread from Tom†s's mother and a shiny new book from the librarianto keep. Col¢n's dreamy illustrations capture the brief friendship and its life-altering effects in soft earth tones, using round sculptured shapes that often depict the boy right in the middle of whatever story realm he's entered. (Picture book. 7-10)
Pub Date: Aug. 1, 1997
ISBN: 0-679-80401-3
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
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More by Pat Mora
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by Pat Mora ; illustrated by Amber Alvarez
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by Pat Mora ; illustrated by Alyssa Bermudez
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by Pat Mora ; illustrated by Raúl Colón
by Cynthia Leitich Smith & illustrated by Jim Madsen ‧ RELEASE DATE: April 1, 2002
A very pleasing first-chapter book from its funny and tender opening salvo to its heartwarming closer. Ray and his Grampa Halfmoon live in Chicago, but Grampa comes from Oklahoma. Six vignettes make up the short chapters. Among them: Ray finds a way to buy Grampa the pair of moccasins that remind him of home and Smith gets in a gentle jab at the commercialization of Native American artifacts. At a Christmas stuck far away from the Oklahoma relatives the pair finds comfort and joy even when the electricity goes out, and in a funny sequence of disasters, a haircut gone seriously awry enables a purple-and-orange dye job to be just the ticket for little-league spirit. The language is spare, clean, and rhythmic, with a little sentimentality to soften the edges. Ray and Grampa have a warm and loving intergenerational bond that’s an added treat. With a nod toward contemporary Native Americans, Grampa tells Cherokee and Seminole family stories, and when Ray gets to be in a wedding party, the groom is Polish-Menominee and his bride is Choctaw. An excellent choice for younger readers from the author of the bittersweet Rain Is Not My Indian Name (2001). (Fiction. 7-10)
Pub Date: April 1, 2002
ISBN: 0-06-029531-7
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
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More by Kekla Magoon
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by Kekla Magoon & Cynthia Leitich Smith ; illustrated by Molly Murakami
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