Reads more like an unedited first draft.




This debut novel gives readers a rare glimpse into both historical and modern North Korea through the eyes of Jia, whose life begins with her mother’s death; the publisher is calling it “the first novel about present-day North Korea to be published in English.”

Kim, who frequently writes on Asian issues, crafts an unsettling account of a North Korean woman caught up in events she neither controls nor understands. As a small child, Jia leaves the hard-scrabble mountain home of her fraternal grandparents against her will and travels to the city of Pyongyang to join her other grandparents. Jia, whose long limbs serve as a constant point of comparison with her mother—a beautiful dancer married to a rebellious teacher—is rejected by her mother’s father. Consigned to an orphanage, she matures into a natural dancer, leaving the institution only when a troupe chooses her to perform at an important celebration. Trained in the art of traditional Korean song and dance, Jia settles into a satisfying, if not very exciting, existence, but when the leadership of her country changes, so does everything else. No stranger to hardship and with little left to lose, she struggles with cruelty, loneliness and hunger before making a desperate decision. Like Jia, the author also struggles through this story, populating it with characters who never seem to resolve their issues. They pop up and disappear like literary whack-a-moles. Family, friends, teachers, a suitor and a young, injured boy all make appearances, but appear only as convenient pegs upon which to hang the plot. Hampered by a persistently passive voice, the action is contrived, and the novel’s resolution unsatisfying as a series of events converge to bring the story to a halt, leaving behind lots of loose ends. In need of better editing and character development, the book fails to generate reader empathy.

Reads more like an unedited first draft.

Pub Date: Aug. 1, 2007

ISBN: 978-1-57344-275-6

Page Count: 256

Publisher: Midnight Editions/Cleis

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2007

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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