by I. Kaufman Arenberg ‧ RELEASE DATE: Oct. 17, 2018
While not completely persuasive, this alternative theory on van Gogh’s death manages to provoke doubt as to what actually...
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A debut work of historical investigation argues that the famous painter of The Starry Night was murdered.
Most historians believe that the clinically depressed Vincent van Gogh died in 1890 of wounds he had sustained when he shot himself in the abdomen with a revolver. Physician and amateur sleuth Arenberg feels differently. The great artist, the author argues, was the victim of a murder and coverup so devious that they have gone largely unsuspected for well over a century. “This intriguing and epic cold case of the death of Vincent van Gogh involves multiple theories and scenarios of what happened on July 27, 1890,” writes Arenberg. “With almost no agreed-upon facts, it remains one of the most enduring legends and enigmatic unsolved mysteries of art history.” Using modern forensic analysis, documents from van Gogh and his associates, and the most recent theories of experts, the author meticulously examines the case for suicide and accident, attempting to show the ways in which the record has been misinformed, misinterpreted, or ignored. He then chases down the various suspects that might have been involved, landing finally on those who he believes actually killed the man, offering their reasons for doing so and the ways in which they were able to keep the truth from the public. Arenberg’s prose is exact and excited, making it clear just how much fun he has had trying to solve the puzzle. “She was there and saw and heard everything!” he writes, defending the credibility of Adeline Ravoux, the subject of one of van Gogh’s paintings. “She has no obvious or nefarious agenda.” As with many conspiracy-minded books, this one sometimes gets lost in the weeds, slowing momentum and diffusing tension. The audience will likely think a tighter, less shaggy work would have been a better read. Even so, there is much to be learned about the artist’s milieu and his final days, and the author enjoyably transforms some of the famous faces in van Gogh’s portraits into whodunit suspects. Fans of the revisionist theory genre should enjoy this earnest work in which the pleasure lies not in the truth but in the uncertainty.
While not completely persuasive, this alternative theory on van Gogh’s death manages to provoke doubt as to what actually happened.Pub Date: Oct. 17, 2018
ISBN: 978-1-72950-757-5
Page Count: 350
Publisher: CreateSpace
Review Posted Online: June 6, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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