A heavy but saluteworthy dose of combat sci-fi, impressive alien worldbuilding, and warrior gloom.


From the Oortian Wars series , Vol. 1

A future military-exploration force at the edge of Earth’s solar system confronts a vast zone of darkness—alerting a concealed alien civilization prepared to violently attack any intruders.

Richmond (Beyond Terra, 2017) opens the Oortian Wars series with a narrative set in a war-wounded 23rd century. Nearly two-thirds of Earth’s inhabitants—20 billion people—perish in a horrific strike by a dying “Korean Empire.” Among the victims: the wife and daughter of United Nations pilot Jack Falco, who becomes obsessed that he might have averted the atrocity by shooting sooner. Falco finds renewed purpose via a mission to the outermost solar system to a giant new space station at the Oort Cloud asteroid field (near Pluto’s orbit). The hopeful fresh start for Earth suffers inexplicable asteroid bombardments and a vast, encroaching “Darkness” field, impenetrable by sensors. Suspecting malice by another rogue state, the U.N. wants Falco, in advance of a state-of-the-art Chinese battle fleet, to probe the Darkness. Crosscutting points of view inform readers early that the mystery zone holds an ancient alien civilization—armored, bellicose organisms able to self-propel through the void of space. First contact between Falco’s vessel and Darkness denizens is inevitably hostile, initiating a hard-combat sci-fi plotline that continues through the cliffhanger ending. The novel sustains a high-stakes, chess-game feel not unlike a claustrophobic submarine-warfare thriller: “The officer’s eyes jumped from screen to screen, while the underpowered Battle-Net processed the sample at a slower, but efficient rate. Every few minutes a number dropped out of the streaming data into a dimly lit square on the bottom of the center screen.” Humans and “Oortians” maneuver and countermeasure, each gradually learning more about the enemy. Peace may not be an option in the muscularly bleak scenario, but enough about the Oortians (and the Darkness) remains shrouded in mystery to preserve the sense of awe and wonder for forthcoming volumes. Richmond insinuates romance and valor, even developing personalities among the kamikaze aliens, while the overall storyline follows a fatalistic arc of escalating strategies, casualties, and weapons of mass destruction.

A heavy but saluteworthy dose of combat sci-fi, impressive alien worldbuilding, and warrior gloom.

Pub Date: Jan. 1, 2019

ISBN: 978-1-946807-08-3

Page Count: 460

Publisher: Rogue Planet Publishing

Review Posted Online: Feb. 13, 2019

Kirkus Reviews Issue: March 15, 2019

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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