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ON THE REZ

Humorist and chronicler Frazier (Coyote v. Acme, 1996, etc.) returns to Indian country for an astute, personal, and disarmingly frank assessment of life and conflict among the Oglala Sioux on South Dakota’s Pine Ridge Reservation. Reintroducing a figure from Great Plains (1989)—Le War Lance, with whom the author has been friends for 20 years—Frazier explores his own affinity for the Sioux by relating the curious twists and turns of their friendship. A raconteur of the first rank as well as an alcoholic, Le has roamed from Hollywood to upper Manhattan, but is finally back home on the rez. Since Frazier’s own wanderlust has brought him and his family to Missoula, Montana, he often goes to visit Le. Over time, Le introduces his brother and sisters, uncle and aunt, even the graves of his parents and other brothers, endlessly spinning wild yarns that Frazier reproduces without judgment. Elements of tragedy (the girlfriend of Le’s brother is killed by a drunk driver) mingle with near-misses (a hose breaks at the distributor, enveloping the family in a cloud of propane gas), but all this is the normal state of affairs at Pine Ridge. As Frazier ponders the history of Indian bars locally and nationwide, or considers the treaty violation that allowed the US government to steal the Black Hills from the Sioux, he also finds resilience in the great-granddaughter of medicine man Black Elk, and hope in the remarkable story of SuAnne Big Crow, a teenage basketball hero who reunited her bitterly divided people by her example, and whose spirit still lives even after her death in a car crash in 1992. Frazier’s remarkably thorough and thoroughly eclectic study of one people in one place at a particular moment in time reveals as much about its author as its subject, and as much about “us” as “them.” (Photos, maps, not seen)

Pub Date: Jan. 1, 2000

ISBN: 0-374-22638-5

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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