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THE ABSOLUTELY, POSITIVELY NO PRINCESSES BOOK

Fun but limiting.

A young narrator insists that her book will never include princesses—right up until the moment that a princess shows up.

Lita, a white redhead, is tired of princess books, and she directly addresses readers in her enthusiasm for a book of her own that will be full of the outdoors and animals and absolutely, positively no princesses. To Lita’s dismay, however, a frilly pink princess of color with tightly curled black hair named Lilliana Ariana de Darlingsweet-Amazingface (or LaDeeDa) just can’t take the hint. She insists that everyone loves princesses and, at every turn of the page, doggedly persists in adding herself and her aesthetic to Lita’s story. Lendler has crafted frenetic dialogue and charismatic protagonists that bring a page-turn–inspiring energy to the story—or rather the story that happens when another story is interrupted. Unfortunately, and despite Zemke’s delightfully dynamic and playful illustrations, the narrative doesn’t quite hit its mark, even as the stubborn pair of protagonists discovers their commonalities. While the narrative attempts to dismantle the false dichotomy between those who like all things princess and those who like all things adventure, it ultimately ends up implicitly reinforcing the idea not only that princesses and their overalls-loving counterparts are mutually exclusive, but that they are the only types of girlhood available.

Fun but limiting. (Picture book. 4-8)

Pub Date: Sept. 3, 2018

ISBN: 978-1-939547-51-4

Page Count: 36

Publisher: Creston

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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