A fictional account of the daily routines inside the death camp at Treblinka, narrated in chilling straight-faced prose by MacMillan (Orbit of Darkness, 1991, etc.). The Nazi massacres of WWII have by now been so well documented that it’s not difficult for authors to drape a semifictional narrative around them, like a cloak around a tortured moral mannikin. Still, MacMillan succeeds in giving texture as well as shape to certain of the events of the Holocaust years as, through deft portrayals of a handful of Treblinka inmates, he brings readers inside the confines of a thoroughly self-contained world. We meet Joachim Voss, for instance, the cynical SS officer whose intellectual wife disdains the Nazis but rationalizes Joachim’s involvement with them once she begins to receive his share of the prisoners” looted goods; Magda Nowak, a local farm girl whose father pimps her to the guards; Anatoly Yovenko, a Ukrainian kapo who falls in love with Magda and plots an escape; Janus Siedlicki, a teenaged Jew who survives as a “dentist” by extracting gold teeth from the corpses; and Dr. Herzenberg, who becomes the center of a secret group of prisoners intent on overthrowing their captors and liberating the camp. The Treblinka uprising, though quickly suppressed, did in fact lead eventually to the camp’s closing. MacMillan’s stoically spare style (—When it became clear that they were not going to revive Choronzycki he began to beat him with the thicker end of a whip, so that the loud thumps, some of which caused the corpse to cough flatly, resounded off the low buildings—) is suited to the appalling events he portrays, his emotional restraint serving to dramatize without falsifying the vile story he tells. A sober account of an incomprehensibly evil episode from modern history: MacMillan has established himself as one of the surer guides through the Nazi genocide.
Pub Date: April 18, 1999
ISBN: 1-883642-84-1
Page Count: 257
Publisher: Steerforth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
Categories: HISTORICAL FICTION | GENERAL FICTION
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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
Categories: LITERARY FICTION | HISTORICAL FICTION
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SEEN & HEARD
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Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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