Not quite yet peak Tregillis, but his fans—and other readers with an interest in dark, intelligent fantasy—will find much to...
First of a new fantasy trilogy from the author of the splendid Something More Than Night (2013, etc.).
Two hundred and fifty years ago, the Dutch created a mechanical army of “Clakkers”—thinking clockwork beings powered and enslaved by alchemical magic—and now rule the world. Only the French government in exile still resists, from their fortress at Marseilles-in-the-West (Montreal). The powerful Schoonraad family is about to relocate to New Amsterdam (New York) and send their servitor Clakker, Jax, to Pastor Luuk Visser to collect a letter of introduction. Visser, however, secretly a Papist and a French spy whose network has been broken, expects to be arrested momentarily. He gives Jax an antique telescope with instructions to deliver it to an address in New Amsterdam. But during the voyage, the telescope breaks, a peculiar glass bead falls out—and Jax discovers he is no longer a slave. To the north, meanwhile, Vicomtesse Bernice de Laval, the French Talleyrand (spy chief), suspects that one of the king’s closest advisers is a traitor. While secretly studying a captured battle Clakker, which the terms of the current uneasy cease-fire specifically prohibit, the thing gets away, killing her husband and slaughtering dozens. The traitor escapes. Exiled, Bernice makes her way to New Amsterdam, where eventually she will collide with Jax—with profound consequences for both the French and the Dutch. Perhaps holding back for later entries, Tregillis gives few details of the Clakkers’ construction or operation, and the story is curiously slow to get going. But his characters are as convincing as ever, the plotting is beautifully articulated, the tone relentlessly grim and sometimes horrifying. And while the action rarely flags, Tregillis manages to pack in a good deal of philosophical probing.
Not quite yet peak Tregillis, but his fans—and other readers with an interest in dark, intelligent fantasy—will find much to admire here.Pub Date: March 10, 2015
ISBN: 978-0-316-24800-6
Page Count: 480
Publisher: Orbit/Little, Brown
Review Posted Online: March 3, 2015
Kirkus Reviews Issue: March 15, 2015
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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