by Ian Williams ‧ RELEASE DATE: Nov. 30, 2021
A lyrical, closely observed contribution to the literature of race and social justice.
Toronto-based poet and short story writer Williams contemplates race and racism in this thoughtful narrative.
Even though Canadians are generally less confrontational than Americans, there are still plenty of issues to contend with. “In Canada,” writes the author, “there’s still a sense that a Black Canadian is from elsewhere—not Canada. Maybe the Caribbean or Africa. White Canadians keep looking for a source of that Blackness, whereas white Americans know that Black people are as much a historical part of their country as white people are.” As a Black man, he writes, “You’re not going to say anything whatsoeverabout race, because you’re not stupid.” The narrative is a potent thinking-aloud exercise that helps Williams sort out his thoughts on race and privilege, and he hits on many provocative points where in at least one sense he has the upper hand: “Race is one of the few places where white people actually defer to Black people without challenge.” Many of his lodestar points are literary, as when he dissects an exchange that David Foster Wallace once had with a Black student, demanding that she produce work in Standard Written—read White—English, which “is perceived as the dialect of education and intelligence.” Wallace’s position may have evolved—or not; in any event, Williams allows for that evolution since a person is entitled to exchange opinions. There are matters beyond opinion, though—e.g., the prevalence, still, of the N-word, the “ubiquity of evidence and cases of violence against Black people,” and the fact that “both America and Canada are created on white power.” In every regard, sensitive to nuance and history, Williams writes searchingly of matters such as the murder of George Floyd, the travails of biracial children, and the daily injustices Black people face, no matter what side of the border they call home.
A lyrical, closely observed contribution to the literature of race and social justice.Pub Date: Nov. 30, 2021
ISBN: 978-1-60945-739-6
Page Count: 224
Publisher: Europa Compass
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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by Ian Williams
by Jennette McCurdy ‧ RELEASE DATE: Aug. 9, 2022
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
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The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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Best Books Of 2015
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National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
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