Science at its best: informative and gross.
Why not? Because “IT’S FULL OF GERMS.”
Of course, Ben-Barak rightly notes, so is everything else—from your socks to the top of Mount Everest. Just to demonstrate, he invites readers to undertake an exploratory adventure (only partly imaginary): First touch a certain seemingly blank spot on the page to pick up a microbe named Min, then in turn touch teeth, shirt, and navel to pick up Rae, Dennis, and Jake. In the process, readers watch crews of other microbes digging cavities (“Hey kid, brush your teeth less”), spreading “lovely filth,” and chowing down on huge rafts of dead skin. For the illustrations, Frost places dialogue balloons and small googly-eyed cartoon blobs of diverse shape and color onto Rundgren’s photographs, taken using a scanning electron microscope, of the fantastically rugged surfaces of seemingly smooth paper, a tooth, textile fibers, and the jumbled crevasses in a belly button. The tour concludes with more formal introductions and profiles for Min and the others: E. coli, Streptococcus, Aspergillus niger, and Corynebacteria. “Where will you take Min tomorrow?” the author asks teasingly. Maybe the nearest bar of soap.
Science at its best: informative and gross. (Informational picture book. 6-9)Pub Date: June 5, 2018
ISBN: 978-1-250-17536-6
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
BOOK REVIEW
A solid introduction to fascinating artists, some familiar, others less so.
Contemporary and historical female artists are showcased for younger readers.
The artists’ names aren’t presented in A-to-Z order. The alphabetical arrangement actually identifies signature motifs (“D is for Dots” for Yayoi Kusama); preferred media (“I is for Ink” for Elizabeth Catlett); or cultural, natural, or personal motives underlying artworks (“N is for Nature” for Maya Lin). Various media are covered, such as painting, box assemblage, collage, photography, pottery, and sculpture. One artist named isn’t an individual but rather the Gee’s Bend Collective, “generations of African American women in Gee’s Bend, Alabama,” renowned for quilting artistry. Each artist and her or their work is introduced on a double-page spread that features succinct descriptions conveying much admiring, easily comprehensible information. Colorful illustrations include graphically simplified representations of the women at work or alongside examples of their art; the spreads provide ample space for readers to understand what the artists produced. Several women were alive when this volume was written; some died in the recent past or last century; two worked several hundred years ago, when female artists were rare. Commendably, the profiled artists are very diverse: African American, Latina, Native American, Asian, white, and multiethnic women are represented; this diversity is reflected in their work, as explained via texts and illustrations.
A solid introduction to fascinating artists, some familiar, others less so. (minibiographies, discussion questions, art suggestions) (Informational picture book. 6-9)Pub Date: Feb. 11, 2020
ISBN: 978-0-593-10872-7
Page Count: 64
Publisher: Dial Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Confusing topical drift muddles this quick but creditable dip into Newtonian physics.
A first introduction to what matter is—and isn’t.
Setting off on a potentially confusing tangent at the outset, Diehn opens with a discourse on how we use the word “matter” in common speech—as in “What’s the matter?” or “That doesn’t matter.” Following a perfunctory segue she then launches into her actual subject with a simple but not simplistic definition (“Matter is anything that takes up space and can be weighed”). She continues with easy-to-follow explanations of how matter (even air) can be weighed, how it comes in the states of solid, liquid, gas, and plasma, and finally how light is not matter but something else. Companion volumes on Energy, Forces, and Waves offer overviews that are likewise lucid, albeit similarly muddied by strained and, in the end, irrelevant word usages. All four surveys include questions and simple activities for readers. Shululu illustrates all four with a cast of wide-eyed, cherry-nosed figures of varying skin colors and their floppy-eared dog in active poses and, usually, outdoor settings.
Confusing topical drift muddles this quick but creditable dip into Newtonian physics. (Informational picture book. 6-8)Pub Date: March 1, 2018
ISBN: 978-1-61930-642-4
Page Count: 32
Publisher: Nomad Press
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
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