A forceful, if flawed and divisive, case for the purification of the church.



A Christian pastor’s call for the church to refocus its attention back toward Christ.

As the lead pastor of the Overcomers in Christ Group of Churches, with branches in Brooklyn, Newark, and Philadelphia, Guobadia has a particular passion for developing Christian apostles. In this, his seventh book, written after “the wind of God visited” him, he turns his focus to the church, writ large, which has “been soiled by strife, division, greed, self-interest, and a reluctance to declare the truth.” As someone who believes that the church is “the bride of Christ,” Guobadia is not shy in highlighting areas where it has gone astray, such as its complicity in slavery, apartheid, and the Holocaust. While highlighting the role of Black churches in serving as a historic voice of conscience within the church, the author laments that since the Protestant Reformation, it has been divided by a “proliferation of denominations,” which has diminished Christians’ “power to speak with one voice.” The book’s pleas for a “revival” take on an urgency exacerbated by the author’s belief that end times are near. Harsh reproaches, however, are met with pragmatic solutions, including promoting and training clergy who reflect leadership qualities delineated in Scripture, increasing church involvement in anti-poverty work, “capturing the youth” through campaigns targeting millennials, and, most importantly, “returning to the Cross of Christ” by following his example of prayer and sacrifice. Despite the book’s emphasis on unity and focus on church history, it does not shy away from criticizing those in the present who the author believes has led the church astray. While most would echo the book’s condemnation of racism or sexually abusive clergy, many will recoil at its critique of the Anglican Church’s endorsement of same-sex marriage and ordination of gay clergy as part of a “satanic agenda” from which “the USA in particular, needs deliverance.” In light of its homophobia, the book’s calls to “come together” ring hollow.

A forceful, if flawed and divisive, case for the purification of the church.

Pub Date: Aug. 20, 2020

ISBN: 978-1-66420-060-9

Page Count: 172

Publisher: Westbow Press

Review Posted Online: March 24, 2021

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

A virtuoso performance and an ode to an undervalued medium created by two talented artists.



The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Did you like this book?

No Comments Yet