A dense secular defense that makes important points about how the West scapegoats Muslims.
Daudi mounts a spirited, logical defense of Islam in the face of Western propaganda.
A retired urologist, Daudi approaches Islam as a neutral, methodical observer. The West and Muslim-majority nations are not destined to be at odds, he argues; in fact, they fought on the same side against Soviets and Communists. The religious right’s unquestioning support for Israel and the fact that Islamic countries safeguard 75 percent of oil reserves may be major factors behind the recent demonization of Islam, he says. It is unjust to label Islam as intrinsically warlike, Daudi holds, because violence is universal; Muslims are often the weaker combatants who suffer the most in conflicts such as those in Iraq, Afghanistan, Kashmir, Chechnya and the West Bank. Indeed, in state clashes, Muslim-majority nations like Turkey and Iran have been the losers. A country’s number of neighbors is a better predictor of aggression than its dominant religion, Daudi says, and border disputes and power struggles (including ethnic cleansing) between social groups are among the geographical and historical prompts for conflict. Daudi uses statistical terminology and impressively detailed tables to enhance his objectivity. Although Islam and violence may be correlated, he finds no proof of a cause-and-effect connection, and he upholds that hypothesis by listing acts of bloodshed. Rates of Islamic brutality have remained stable since 1800, and recent villains such as Saddam Hussein and al-Qaida have claimed far fewer victims than American, British and Israeli invasions. Those and other Western nations, through regime changes and accepted acts of war—even Hiroshima—have been responsible for huge numbers of casualties. Meanwhile, Muslims make up less than 20 percent of terrorist organizations. Thus, Daudi concludes, there is nothing inherently martial about Islam. Instead, control of resources motivates American-led wars on Islamic countries. Though sometimes verging on conspiratorial, his arguments are rational and supported with clearly presented statistics. However, his failures to discuss violence in the Quran or differing interpretations of the doctrine of jihad seem to be curious omissions. Anecdotal or journalistic elements would make this treatise more readable for lay readers, who might be interested in stories as well as facts.
A dense secular defense that makes important points about how the West scapegoats Muslims.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Dec. 18, 2013
Review Program: Kirkus Indie
A short, simple, and sweet tale about two friends and a horse.
A novel tells the story of two spirited girls who set out to save a lame foal in 1952.
Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.
A short, simple, and sweet tale about two friends and a horse.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Hastings Creations Group
Review Posted Online: Oct. 15, 2016
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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