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SWITCH

From the Savvy series , Vol. 3

It’s a jumble, but one that’s made up of feel-good set pieces.

In this second sequel to the Newbery Honor–winning Savvy (2008), the Beaumont family’s unusual abilities turn inside out. Steep learning curves and near catastrophes ensue.

Just as the Beaumonts decide to take in ill-tempered Grandma Pat, who is showing worrisome signs of “Old-Timer’s disease” (i.e., Alzheimer’s), 13-year-old Gypsy’s new “savvy” to glimpse (but not alter, despite her best efforts) future scenes switches to an ability to stop time—for all the universe except, as it turns out, Pat and everyone else who shares her birthday. Likewise, her formerly perfect mother turns accident-prone, her once-invisible big brother now unpredictably bursts into all-too-visible flame, and little Tucker farts and turns into a giant when upset. Nonetheless, the Beaumonts hie off to Colorado to pick up Grandma Pat and then chase her through Denver when she wanders out into a snowstorm. Law does not write for readers who like logically consistent premises and orderly plots. Nevertheless, along with turning her increasingly self-confident protagonist’s fondness for spontaneous twirling into a thematic leitmotif, she salts the narrative with wonderfully silly words (“Sardoodledom”!) and the cast with (aside from a now-requisite bully) helpful, warmhearted allies.

It’s a jumble, but one that’s made up of feel-good set pieces. (Fantasy. 10-12)

Pub Date: Sept. 15, 2015

ISBN: 978-0-8037-3862-1

Page Count: 368

Publisher: Dial Books

Review Posted Online: May 17, 2015

Kirkus Reviews Issue: June 15, 2015

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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EXILE

From the Keeper of the Lost Cities series , Vol. 2

However tried and true, the Harry Potter–esque elements and set pieces don’t keep this cumbersome coming-of-age tale afloat,...

Full-blown middle-volume-itis leaves this continuation of the tale of a teenage elf who has been genetically modified for so-far undisclosed purposes dead in the water.

As the page count burgeons, significant plot developments slow to a trickle. Thirteen-year-old Sophie manifests yet more magical powers while going head-to-head with hostile members of the Lost Cities Council and her own adoptive elvin father, Grady, over whether the clandestine Black Swan cabal, her apparent creators and (in the previous episode) kidnappers, are allies or enemies. Messenger tries to lighten the tone by dressing Sophie and her classmates at the Hogwarts-ian Foxfire Academy as mastodons for a silly opening ceremony and by having her care for an alicorn—a winged unicorn so magnificent that even its poop sparkles. It’s not enough; two sad memorial services, a trip to a dreary underground prison, a rash of adult characters succumbing to mental breakdowns and a frequently weepy protagonist who is increasingly shunned as “the girl who was taken” give the tale a soggy texture. Also, despite several cryptic clues and a late attack by hooded figures, neither the identity nor the agenda of the Black Swan comes closer to being revealed.

However tried and true, the Harry Potter–esque elements and set pieces don’t keep this cumbersome coming-of-age tale afloat, much less under way. (Fantasy 10-12)

Pub Date: Oct. 1, 2013

ISBN: 978-1-4424-4596-3

Page Count: 576

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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