A winning story that’s hard to trust as history.
Joe Grimm may not be a household name in boxing, but Grumeza’s retelling of the bantamweight’s story will entertain any fan of the sweet science.
Grimm was the Americanized name of Nageeb David Hashim, a Lebanese immigrant who scored 24 knockouts in a row to start his boxing career in Fall River, Mass. This should put him among the legends of the sport, “at least in a footnote,” Grumeza writes. Most of those knockouts came against unknown local and regional boxers at a time when boxing was coming into its golden age. Grimm’s is a story of what could have been: He could have been a champion if only he’d been given a better chance by his management team, if only he’d fought in a bigger market, if only his brother Mike hadn’t quashed his shot by being overly aggressive. And perhaps the biggest reason: if only Grimm hadn’t quit at 24 to join his family and their grocery business in Pittsfield, Mass. Grimm’s punch was devastating, but he would often step back when an opponent was reeling, and he’d never hit anyone when they’re down. Grumeza tells Grimm’s story as if he were writing a novel, not a historical document, which is where he might get into trouble with some of his audience. He fictionalized the story to some extent, inventing several minor characters he believes represent people typical of the time, and the dialogue is guesswork, as reconstructed from interviews with some of Grimm’s descendants. Grumeza makes a fine effort to place the events in the context of their times, offering the backgrounds of boxers who were active at the time as well as the histories of the towns in which the happenings took place. After leading off with some of the more exciting events, Grumeza sometimes has to backtrack and repeat parts of the story. But the narrative evens out after the first few chapters, when Grumeza gets down to the boxing. He has a knack for drawing out the natural drama of a fight, and his writing makes a solid case for Grimm being remembered not just for his boxing prowess, but for his noble approach to the sport.
A winning story that’s hard to trust as history.Pub Date: Aug. 16, 2012
ISBN: 978-1477257906
Page Count: 276
Publisher: AuthorHouse
Review Posted Online: Oct. 17, 2012
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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