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SOME STARRY NIGHT by Irene Latham

SOME STARRY NIGHT

by Irene Latham

Pub Date: April 14th, 2026
ISBN: 9781964700854
Publisher: Historium Press

In Latham’s novel, painter Vincent van Gogh meets poet Emily Dickinson.

Vincent van Gogh loves his new home in Paris, but while he admires impressionism and Japanese block prints, he hasn’t yet discovered his own style. Taking art lessons at Cormon’s atelier, the messy, rustic, and intense Vincent doesn’t fit in with the other younger, more sophisticated students. He tries selling his paintings to tourists as his younger brother, Theo, provides him with food, housing, and tuition. On a parallel track in Amherst, Massachusetts, Emily Dickinson also struggles to make an impact with her art. Former tutor Thomas Wentworth Higginson promises to use his connections to get Emily’s poems noticed, but he seems in no hurry. Considered an overly strong personality, Emily has become an eccentric recluse at the Homestead, and her life threatens to narrow further when she’s diagnosed with Bright’s disease and learns she possibly has only months to live. Gathering her courage, Emily joins her sister-in-law, Sue, on a voyage to Paris. Vincent and the much-older Emily spot one another right away at the Louvre; he notices her bright orange shawl folded around her like bird wings, while she’s attracted to his freckles and high energy. It’s a meeting of minds and hearts, as they have similar goals for their art (“What all people want…is a moment of time,” Vincent states). The setting of Paris plays a central role in the narrative, engaging the senses of the characters. The spring air smells of “star jasmine” and has an “energy…like heat lightning.” (Alternately, the “air tasted like plums.”) Emily, missing the flowers and birds of the Homestead, is charmed, saying of a Paris neighborhood, “This place is a poem.” Supportive Sue and Theo are allowed some character development—Sue’s unhappy about her husband’s affair, and Theo pursues a reluctant woman—but the main focus is on the two artists with the outsize personalities. Latham’s prose can sometimes feel overwrought; Vincent’s “shoes felt too large, his limbs liquid” when spotting his brother. Still, this portrayal of an unlikely love match between two people who never fit in anywhere is engaging.

A fanciful what-if that makes an unlikely relationship seem not only possible, but joyous.