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BAD AGENCY

THE RESIDUE OF TRAUMA

A raw, revelatory novel about the ways trauma can shape a life.

In Ember’s debut novel, a real estate agent struggles to prevent her past from sabotaging her present.

Ruby lives under a cloud of anxiety and depression. A successful real estate agent in the Bay Area, she refuses to give in to self-pity, even when an irate stranger spits on her in the middle of traffic: “I have no right to complain about the pain inside my head, my body, my soul,” she claims. “So many people in this world have real suffering that is much worse than mine.” Ruby is haunted by the abuse she suffered at the hands of her mother and by a psychotic break she experienced decades ago. She struggles in her romantic life, as she has a tendency to prioritize the needs of the men she dates over her own. As she shepherds annoying and ungrateful clients through potential home purchases—often trying to ignore the addicted and mentally ill people who live on the streets right outside—Ruby fights to get a better hold on her personal and professional relationships. Ultimately, though, the relationship she most needs to figure out is the one she has with herself. The author’s prose captures Ruby’s sharp, obsessive inner monologue, as when she fantasizes about the new man in her life, a Burning Man fan in his 50s named Nate: “It was Sunday and I was scheduled to hold the open house for Ugly-Jacket Lady. I wished I could have stayed with Nate, maybe climbed onto the back of his scooter…I was still high from our encounter, and I couldn’t focus on anything, not that selling real estate requires more thought or consciousness than it takes to drool.” Ember highlights Ruby’s trauma a bit too emphatically—a more subtle introduction of the subject would likely have been more effective—but she effectively dramatizes Ruby’s pathology in a way that demonstrates the intractability of her pain. A short novel at less than 150 pages, this narrative offers a startling and often moving slice of contemporary life.

A raw, revelatory novel about the ways trauma can shape a life.

Pub Date: Oct. 1, 2023

ISBN: N/A

Page Count: 150

Publisher: N/A

Review Posted Online: May 16, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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