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BOMBERS’ MOON

Veteran Gower returns to the Welsh historical field she’s mined so often before (Spinner’s Wharf, 2002, etc.). Though the...

Welsh sisters face hydra-headed adversity during World War II.

When their home is destroyed in a bombing raid, Meryl Jones is evacuated to Carmarthen, though older sister Hari continues her war work in Swansea. Housed with an abusive family, Meryl runs off. She’s found by Michael Euler, a half-German young man living quietly on a farm with his Welsh mother. Clever Meryl helps on the farm, falls for Michael and even learns German. But when Hari comes to visit, Michael is entranced. Tipped off by Meryl’s foster family, the military police come for Michael. Pretending to be his pregnant wife, Meryl attempts to flee with him to Ireland, but their boat is sunk by a German submarine that picks up the couple and ferries them to the Fatherland, where Michael’s well-connected dad takes them in. They marry for practical reasons, and Michael becomes a pilot. Back home, Hari continues with her work intercepting German messages. Meryl, who is doing similar work, manages to get a message through to her sister. Although Hari now at least knows that Meryl is alive, she’s bitterly jealous, unsure if the marriage to Michael is merely one of convenience. Meryl, now really pregnant, is conscripted as a British spy and takes dangerous chances. When the war ends, Michael must choose between the sisters.

Veteran Gower returns to the Welsh historical field she’s mined so often before (Spinner’s Wharf, 2002, etc.). Though the story holds your interest, the plot, at once incredible and entirely predictable, makes it hard to care deeply about either Meryl or Hari while you await the next crisis.

Pub Date: Sept. 1, 2009

ISBN: 978-0-7278-6765-0

Page Count: 256

Publisher: Severn House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SHOGUN

In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.

Pub Date: June 23, 1975

ISBN: 0385343248

Page Count: 998

Publisher: Atheneum

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: June 1, 1975

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