No matter how intense the action gets, the outcome, for better or worse, is never in doubt.
An emotional and highly deceptive plea entices forensic sculptor Eve Duncan from Atlanta to Africa, where all hell promptly breaks loose.
Journalist Jill Cassidy wants Eve to drop what she’s doing and book passage to the fictional country of Maldara, where an attack by Botzan rebels on a village school has left 27 children dead. Eve can render the bereaved parents a priceless service, urges Jill, if she uses her matchless skills to reconstruct busts of the deceased from their skulls, and she plies Eve with enough sob-story details to overcome her resistance. But she doesn’t tell Eve the truth, or at least not the whole truth. The real reason Jill and CIA agent Jed Novak want Eve to come is so she can determine that a 28th skull—that of mercenary Nils Varak—isn’t really Varak’s at all but another skull intended to make the world believe he’s dead. Eve, already stung by Jill’s deception, points out that the skull has tested positive for Varak’s DNA; Jill counters that it must have been faked. While Jill and Novak try to come up with evidence that would support their theory and Eve begins her painstaking reconstructive work on the skulls, Zahra Kiyani, who accepted the presidency of Maldara after her father, the incumbent, was assassinated, seizes more and more greedily the power she thinks is due her as a descendant of Cleopatra’s daughter Kiya and the country’s rightful queen. She uses her sexual dominance over U.N. diplomat Edward Wyatt to wring concessions from the international community and holds terse exchanges with an unseen party over what to do about this interloping American. How can Eve and her ragtag allies possibly prevail against such entrenched and well-armed adversaries? Readers who take this last question seriously are clearly newcomers to Johansen’s venerable franchise (Dark Tribute, 2019, etc.).
No matter how intense the action gets, the outcome, for better or worse, is never in doubt.Pub Date: July 30, 2019
ISBN: 978-1-5387-1308-2
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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