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DEAD MEN'S TROUSERS

Welsh still overflows with predicaments to thrust his antiheroes into, for better and for worse.

The miscreants from Trainspotting (1993) return, off heroin and more financially stable but still prone to calamity.

The fourth novel in Welsh’s series—following the 2002 sequel Porno and the 2012 prequel Skagboys—thrusts the narrative into 2015 and 2016, with most of the leads pursuing lives beyond junk, beat downs, and petty thievery. Begbie has mined his thuggish Edinburgh past to become a rising star in the LA art world. Renton is a globe-trotting DJ manager. And Simon, aka Sick Boy, is an oversexed owner of an escort service. All are cleaner but not exactly clean, which Welsh plays for comic effect in the early going: Simon sends his brother-in-law on a sex-obsessed midlife crisis after dosing him with MDMA, and Renton is forever chasing down fixes for his demanding clients. Darker circumstances reunite the group as they’re blackmailed into an organ-harvesting scheme that ropes in their old friend Spud, and things get grotesque and absurd quickly: Renton needs to leave a Berlin dance festival and ferry his laptop to an ad hoc operating theater so he can play a YouTube video demonstrating kidney surgery. Welsh’s peculiar talent is finding the comedy in sex, addiction, betrayal, and death, and he handles the job so deftly that the novel nearly qualifies as comfort reading even in gross-out mode. (The steepest hurdle is the prose mimicking the narrators’ thick Scottish burrs, with Spud’s nearly impenetrable: “Ah pure dinnae want tae look up, cause sometimes ye git a radge or a wideo giein ye hassle”). And scenes featuring DMT trips are rendered in graphic-novel form, an inventive touch. Still, Welsh tends toward the gassy, with detours into soccer and a weak subplot involving a cop stalking Begbie. His characters have endearingly messy lives, but the mess is often in the prose, too.

Welsh still overflows with predicaments to thrust his antiheroes into, for better and for worse.

Pub Date: Feb. 26, 2019

ISBN: 978-1-61219-755-5

Page Count: 432

Publisher: Melville House

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE GREAT ALONE

A tour de force.

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  • New York Times Bestseller

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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