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HOW TO BE A PIRATE

While thar be precious little piracy visible in this, its feminist themes are strong.

Feminism for the piratically inclined.

Fitzgerald and Barrager give the old chestnut of a girl who’s turned away from a boys’ fort due to her gender alone a piratical twist. After CeCe’s initial disappointment, she vows to get advice from the only true pirate she knows: her grandfather. Game to give his granddaughter a 101 in how to be the best possible scurvy dog, he uses each of his tattoos to extol a virtue such as bravery or speed. As in Alison McGhee and Eliza Wheeler’s Tell Me a Tattoo Story (2016), body art becomes the inspiration for any number of adventures and aphorisms, ending with the most important lesson: love. Readers may note that few of these flights of fancy have much to do with pirates specifically. Nevertheless, an emboldened CeCe returns to the boys and successfully owns her piratude. The ending is more than a bit optimistic, as CeCe gains admission simply by redeclaring intentions with a smidgen more chutzpah. Would that misogyny always rolled over so easily. Happily, Fitzgerald’s tale is accompanied by the rollicking vibrancy of Barrager’s art. Reality pales (literally) in the face of the imagination, with a clever tonal shift to a brighter, more saturated palette indicating CeCe’s determination. CeCe and Grandpa both present white; the boys who initially snub her display a range of skin colors and hair textures.

While thar be precious little piracy visible in this, its feminist themes are strong. (Picture book. 3-6)

Pub Date: March 3, 2020

ISBN: 978-1-68119-778-4

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: Nov. 4, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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