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THE SUMMER OF THE ROYAL VISIT

Intentionally like a Victorian melodrama, Colegate's latest (Deceits of Time, 1988, etc.) has mysterious characters, hints of wrongdoing in high places, and a hero and heroine who virtuously resist temptation, though not without some regrets. A retired history teacher is the narrator of a long-ago summer in England. As he makes his daily round through the city of Bath, he introduces the setting and the actors and actresses, as it were, who will have roles in the small drama that then begins to unfold: In 1876, the city, once a fashionable resort, is decaying and forgotten. Hoping to revitalize their town, the city fathers have decided to build a grand hotel and spa. A competition for the design has been organized; Queen Victoria has promised to visit; and the city is agog with anticipation. A mysterious woman, Madame Sofia, who claims cousinship with the Tsar, is new in town. A spiritualist as well, her visions of the city's nastier undercurrents are unsettling but accurate. Meanwhile, the voluptuous wife of the City Surveyor plots to get her husband's design approved; another newcomer, Caspar Freeling, who is ``prepared to be more or less whatever they wanted him to be, on condition that the game progressed,'' seems to lead a double life; and the beautiful and good Charlotte, married and devoted mother of two, is attracted to Stephen Collingwood, the curate, who works with the poor of the city. Stephen's love for Charlotte and sense of inadequacy in his ministry provoke a crisis of faith, resolved only at the close by an appropriately heroic sacrifice. The Queen visits; the villains are exposed; and the hero and heroine come through. That the narrator turns out to be the grandson of Charlotte is irrelevant if not anticlimactic. Rich in atmospherics, settings, and characters—Stephen and Charlotte are unusually vivid and convincing—and yet the implicit melodrama and satire of city boosterism and Victorian manners is never more than a clever conceit. Disappointing, then, despite so much that's good.

Pub Date: Jan. 21, 1992

ISBN: 0-679-40880-0

Page Count: 256

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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