Like other tributes in the series, adequate fare for cluing newer readers in on some worthy role models.
A very first introduction to the great scientist.
Apparently more concerned with explaining why Marie Curie is worth knowing than compiling biographical details, Sánchez Vegara dispenses with most names and all dates to focus on achievements that reflect her subject’s intellect and character. Opening with Marie’s childhood vow to “be a scientist, not a princess” and her later move from her unnamed home country to become “the best math and science student in Paris,” the author highlights her marriage and Pierre’s “terrible accident,” her discoveries of radium and polonium (no explanation provided), her two Nobel Prizes, and how she helped injured soldiers in an unspecified way during a never-named war and afterward established an institute in Paris to further girls’ educations. Isa idealizes Curie’s features in the illustrations, portraying her as a sweet, smiling child with pale-white skin even in a final view (based on a famous photo) showing her sitting on a pile of books in a row of other great scientists—all of whom are, unsurprisingly, male and white. In the co-published Agatha Christie, illustrator Elisa Munsó at least lets her subject grow up but likewise (with rather more justice) leaves her among stacks of books after Sánchez Vegara’s generalized account of the author’s travels, detectives, and gift for plot twists. Both profiles close with photos, timelines, and afterwords that fill in some of the blanks.
Like other tributes in the series, adequate fare for cluing newer readers in on some worthy role models. (Picture book/biography. 5-7)Pub Date: March 2, 2017
ISBN: 978-1-84780-962-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Kids will enjoy the quirky visuals while appreciating the creative relationship of these two companions.
Two friends strengthen their bond when their gardening project needs more ingenuity than originally anticipated.
Maxine, a science-oriented little White girl with a pet goldfish, loves to read and make constructive gadgets. Her friend Leo, a little Black boy, also likes making things, though from an artistic perspective. Together they decide to carefully design a garden. Maxine creates a practical blueprint while Leo draws a colorful diagram. Both plans allow them to plot, dig, and plant a beautiful and expansive space that includes a pond for Milton, Maxine’s pet fish. After their produce begins to sprout, however, some unwanted visitors slink in to ravage the fruits of all their hard work. Oh, no—now they need a new idea to keep those critters away. An average scarecrow doesn’t do the trick, so the kids get to work and build a “critter-creeping, laser-tripping, disco-ball-blinking, tuba-tooting… / SUPER SPECTACULAR SCARECROW!” But it only makes things worse by loudly disturbing everyone but their animal invaders. Initial disappointment and failure lead to blame and argument and then remorse and apologies. Both Maxine and Leo realize that “it takes a long time to grow a garden…but even longer to grow a friend.” Hatam offers kids lots of minutiae to look at, including clever endpapers with comical one-liners (“Thyme to Turnip the Beet”). Her detailed, animated, vibrant drawings accentuate the drama and neatly depict the concluding message that celebrates compromise. (This book was reviewed digitally with 9-by-17-inch double-page spreads viewed at 62.7% of actual size.)
Kids will enjoy the quirky visuals while appreciating the creative relationship of these two companions. (Picture book. 5-7)Pub Date: Feb. 16, 2021
ISBN: 978-0-399-18630-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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