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CASTE

THE ORIGINS OF OUR DISCONTENTS: ADAPTED FOR YOUNG ADULTS

Compelling and accessible for a younger generation energized to build a better world.

Adapted for teens from the 2020 adult bestseller, this timely work urges readers to complicate conversations around American race and class divisions.

“What does racist mean in an era when even extremists won’t admit to it?” asks Wilkerson, who introduces readers to caste, “an artificial construction” not solely based on race or class but “a fixed and embedded ranking of human value.” In America, she writes, there’s a “shape-shifting, unspoken, race-based caste pyramid” persisting through generations. The parallels between caste and race are palpable throughout the book, though, Wilkerson writes, they “are neither synonymous nor mutually exclusive.” Unlike race, which is a mutable social concept, and class, which can shift through luck and achievement, the author makes the case for caste as a permanent fixture which can be traced to the 1619 arrival of enslaved Africans in the Virginia Colony. Prior to defining caste rankings and outlining its eight pillars, Wilkerson draws comparisons between India and the United States, referencing the treatment of Adivasi and Native Americans, Dalits and African Americans. Additionally, the book provides provocative insights into America’s influence on Nazi Germany, whose researchers carefully studied U.S. race laws. Vignettes and memoir intertwine, illuminating the book’s arguments. With easy-to-digest storytelling and elaborate metaphors embedded in extensive research, Wilkerson challenges readers to resist validating any semblance of hierarchy and to refer to history as a pathway for eradicating its stronghold.

Compelling and accessible for a younger generation energized to build a better world. (index) (Nonfiction. 12-18)

Pub Date: Nov. 22, 2022

ISBN: 978-0-593-42794-1

Page Count: 352

Publisher: Delacorte

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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CONTINUUM

From the Pocket Change Collective series

Best enjoyed by preexisting fans of the author.

Deaf, trans artist Man meditates on his journey and identity in this brief memoir.

Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.

Best enjoyed by preexisting fans of the author. (Memoir. 12-18)

Pub Date: June 1, 2021

ISBN: 978-0-593-22348-2

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 24, 2021

Kirkus Reviews Issue: April 15, 2021

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GRAMMAR GIRL PRESENTS THE ULTIMATE WRITING GUIDE FOR STUDENTS

Like many grammar books, this starts with parts of speech and goes on to sentence structure, punctuation, usage and style....

As she does in previous volumes—Grammar Girl’s Quick and Dirty Tips for Better Writing (2008) and The Grammar Devotional (2009)—Fogarty affects an earnest and upbeat tone to dissuade those who think a grammar book has to be “annoying, boring, and confusing” and takes on the role of “grammar guide, intent on demystifying grammar.”

Like many grammar books, this starts with parts of speech and goes on to sentence structure, punctuation, usage and style. Fogarty works hard to find amusing, even cheeky examples to illustrate the many faux pas she discusses: "Squiggly presumed that Grammar Girl would flinch when she saw the word misspelled as alot." Young readers may well look beyond the cheery tone and friendly cover, though, and find a 300+-page text that looks suspiciously schoolish and isn't really that different from the grammar texts they have known for years (and from which they have still not learned a lot of grammar). As William Strunk said in his introduction to the first edition of the little The Elements of Style, the most useful grammar guide concentrates attention “on a few essentials, the rules of usage and principles of composition most commonly violated.” After that, “Students profit most by individual instruction based on the problems of their own work.” By being exhaustive, Fogarty may well have created just the kind of volume she hoped to avoid.

Pub Date: July 5, 2011

ISBN: 978-0-8050-8943-1

Page Count: 304

Publisher: Henry Holt

Review Posted Online: May 20, 2011

Kirkus Reviews Issue: June 1, 2011

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