Next book

CHILDREN OF THE GHETTO

A long-overdue reissue restores to print an 1892 novel that is generally acknowledged as one of the earliest and finest works of Anglo-Jewish fiction. A scholarly and informative Introduction by editor Rochelson capably summarizes the life and influence of its once-famous author (18641926) as fiction writer, journalist, playwright, and political activist. Published both in Zangwill's native England (he was a second-generation Jew of Latvian and Polish heritage) and in America as the initial offering of the Jewish Publication Society, Children of the Ghetto—the author's third book of fiction—was an instant critical and popular success. Its exhaustively detailed portrayal of social, economic, and marital strife in London's Whitechapel Ghetto (where Zangwill was born) brings to vivid life an impressive gallery of believably thoughtful characters—most notably those torn between the new science and theology of the ending century and the tradition-bound world of their fathers. Prominent among Zangwill's several protagonists are Hannah Jacobs, who sacrifices her own happiness to obey her parents' beliefs; Esther Ansell, a troubled freethinker who will fulfill her intellectual ambitions only by writing in the guise of a male author; and Raphael Leon and Joseph Strelitsky, each of whom is both embittered and empowered by the tension between his commitment to orthodoxy and his conviction that the world is changing in ways his elders' wisdom can't comprehend. The frequent objection to the comparatively undramatic ``Book Two: Grandchildren of the Ghetto''- -that it amounts to little more than Zionist propaganda—has merit; yet even in its flatly argumentative pages, the resolutions of its characters' moral dilemmas are presented with passionate force. And few have ever denied that the racy color and vitality of its first half (``Book One: Children of the Ghetto'') make this one of the liveliest novels of its period. An incomparable portrait of a culture in transition—and a classic that truly deserves to be rediscovered and remembered.

Pub Date: Feb. 1, 1998

ISBN: 0-8143-2593-9

Page Count: 523

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview