In their first English translation and US publication: 20 short sketches written in the early 1950s and mid-1960s, all featuring the hapless aspirations of Marcovaldo, a father, husband, and unskilled laborer in a northern Italian city. With sly wit and utter economy, Calvino satirizes the drabness of the impoverished 1950s, the hollowness of the "booming" 1960s—yet never settles for easy targets or sentimentality, much preferring the ambivalence of whimsy. Thus, Marcovaldo may be forever yearning for the simpler, pastoral pleasures—and Calvino sympathizes—but his dreamy quests almost always have an under-cutting, wry outcome. With "an eye ill-suited to city life," for instance, Marcovaldo is overjoyed to spy mushrooms sprouting on a city street ("something could still be expected of life, beyond the hourly wage. . . with inflation index"); but this bucolic miracle leads only to a stomach-pump at the local hospital. Likewise, Marcovaldo has little luck with schemes to enjoy the night air, to feast on roast woodcock, to adopt a rabbit, to get his fish direct from the river. Nor, on the other hand, do his attempts at entrepreneurship—offering wasp-sting treatments (for arthritis), collecting free detergent samples, turning ugly neighborhood billboards to economic advantage—work out much better. And sometimes the clash between the realities of Marcovaldo's life and the consumer-society around him result in surreal vignettes: a visit, with empty pockets, to a super-supermarket, filling up cart after cart with unbuyable items; a disoriented ramble through the dark city, looking for the right tram. . . but winding up on an India-bound airplane. Rich with implications about the social milieu, yet far more insistent on fable-like charm than any message: a gentle, small early-Calvino treat, shrewdly translated and agreeably packaged.
Pub Date: Nov. 16, 1983
ISBN: 0156572044
Page Count: 132
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Nov. 1, 1983
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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