In this earnest retelling of a Hasidic tale, a young prince with feelings of inadequacy concludes that he is really a turkey, and so takes up residence under the kitchen table. Conventional healers can’t shake his conviction. Finally, one comes along who takes a different tack, announcing that he too is a turkey, getting down on the floor with the prince, but suggesting that there’s no reason why turkeys can’t wear human clothes, eat human food, etc. Years later, when the prince, now a beloved king, hears that one of his young subjects is living under a table, he knows just what to do. Several of the oddly dressed figures in White’s spacious, slightly offbeat illustrations seem to be part animal themselves, suggesting that the prince isn’t alone in not feeling up to embracing his role in life. A debut for author and illustrator both, this imparts a perceptive lesson in tolerating foibles, one’s own as well as those of others—as does Art Spiegelman’s briefer (but funnier) comic-book version of the story in his Little Lit: Folklore and Fairy Tale Funnies (p. 1432). (Picture book/folktale. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-670-88872-9
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic.
Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.
After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-5344-2622-1
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
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