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PILLARS OF SALT

Hearty backstories and a beguiling Louisiana setting enhance this compelling thriller.

Awards & Accolades

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In Adams’ 1980-set thriller, a U.S. Air Force major is determined to prove that his estranged father was murdered.

When Maj. Harvey “H” Doucet gets word that his father, Harvey Sr., is dead, he requests emergency leave and heads from North Carolina to Louisiana. His father’s successful company, Doucet Drilling, is already dealing with another recent tragedy: An oil rig drilled directly into a salt mine, killing numerous workers. Sapphire Salt filed suit against Doucet Drilling and Calco Oil, and each of the latter businesses blamed the other for the flawed map that precipitated the accident. It initially appears as if it was all too much for Harvey Sr., whose death was ruled a suicide. H and Harvey Sr. didn’t get along—H’s spoiled younger brother, Victor, was his father’s favorite—but H refuses to believe that his dad would ever kill himself. With the help of Harvey Sr.’s loyal bodyguard, Placide, he starts a personal investigation into his father’s demise. It soon becomes clear that someone doesn’t want H asking too many questions; H spots a car following him, which then tries to run him off the road. Later, he and Placide witness an explosion that was clearly meant to kill them. Their search for answers takes them to Memphis, Tennessee, where they unearth evidence of possible fraud. Before long, even H’s beloved Aunt Ethel and Uncle Louis are under threat, and another suspicious suicide only confirms that H and Placide are on the right track. Adams’ novel begins with a bang as a Louisiana man, Auguste Savois, goes fishing with his 8-year-old grandson, and a sudden current nearly pulls their riverboat into an apparent whirlpool. This is followed by equally tense, memorable scenes inside the salt mine and aboard the oil rig. From there, Adams opts for a more leisurely pace, as H’s investigation involves interviewing myriad characters. Nevertheless, the protagonist’s family history is thoroughly engaging. Harvey Sr., for example, was so distraught by his wife’s death years ago that he focused on his company instead of his two young sons, whom Ethel and Louis raised, instead. This helps to make H’s aunt and uncle even more endearing—and makes them prime targets for the bad guys. Victor, who’s certain that he’ll inherit Doucet Drilling, generates some melodrama along the way. The author’s frequent descriptions of Louisiana reveal a clear fondness for narrator H’s home state; as H muses, “The sky was a clear, crisp blue, as oil field industry trucks and tankers roared by us on Highway 90. The rare kind of late fall day in Louisiana when the humidity drops so low that the sky is lapis lazuli, and everything looks like it’s just been scrubbed.” The story’s steady momentum gradually accelerates, and H and Placide, a former security guard who got his job after saving Harvey Sr.’s life, ultimately arm themselves. The expected gunfight doesn’t disappoint, and a subsequent wrap-up, though lengthy, delivers a worthy denouement.

Hearty backstories and a beguiling Louisiana setting enhance this compelling thriller.

Pub Date: N/A

ISBN: N/A

Page Count: 258

Publisher: BookBaby

Review Posted Online: Oct. 1, 2019

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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