A fantasy series installment that effortlessly informs as it entertains.
Stevens’ (Dragon Lad: The Thirteenth Egg, 2015) middle-grade fantasy sequel finds young Dirk searching for the truth about his past.
In Roman-ruled Britannia, Dirk looks like an average 12-year-old boy, but he actually hatched from a dragon’s egg just seven months ago. Leaving behind his friend, Galinda, on the island of Codhaven, Dirk is searching the lonely, mist-ridden lands for the home of Beldor, High Wizard of the West. At the wizard’s cave, he encounters Ydda, once a “grandmotherly female dragon” and now a human woman, as well as Beldor, who’s merged his consciousness with the dragon Fearclaw’s, with whom he shares a human body. Dirk reveals to them a blue stone talisman that may once have belonged to Gruffen, the Red Dragon of Greenwild. When the boy learns that Gruffen guards a horde of riches, he thinks that acquiring some of it will help him win the acceptance of Galinda’s family. Dirk also thinks that the old dragon may have information about his parents. To outfit this quest, Fearclaw provides the boy with a magical map and a ring that allows him to change between human and dragon forms. As Dirk heads north, he inadvertently loses the ring in the sea while in dragon form. Can he retrieve it and become human again before reaching the town of Isca, where humans may try to kill him? In this rollicking sequel, Stevens combines elements of real-life English history with a shape-shifting–oriented adventure for middle-grade readers. For example, Dirk witnesses the brutality of slavery as Roman soldiers lash Briton workers, but he also teams up with fanciful people such as Leonis, a sea lion who transforms into a human sea captain. Stevens often crafts casually amusing moments, as when Ethelda, the evil woman who raised Dirk, seemingly can’t remember his given name. The protagonist’s dreams and visions frequently guide the plot, which sometimes feels a bit heavy-handed. Still, Stevens’ warm black-and-white illustrations bolster important scenes, as when Dirk meets a mermaid, although truly surreal moments, such as one creature’s transformation from a fly to a dog, remain for audiences to imagine. A joyous ending leaves the cast on a fine footing for the next installment.
A fantasy series installment that effortlessly informs as it entertains.Pub Date: Oct. 29, 2017
ISBN: 978-0-9963839-3-6
Page Count: 242
Publisher: Dragon's Egg Books
Review Posted Online: Sept. 25, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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