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THE SYKES-WEIZMANN AGREEMENT

A DRAMA AND A HISTORY

An informative drama about an important chapter of Zionism.

In this debut play, Jensen dramatizes the efforts of a real-life American Zionist to bring the United States into World War I as part of a plan to secure British support for a Jewish state.

In 1903, Horace Kallen, a Princeton University senior and protégé of American philosopher William James, is committed to the cause of Zionism—the establishment of a Jewish homeland in British-held Palestine. Many immigrant Jews, including the Silesian-born Kallen, have become successful in France, the United Kingdom, and the United States, but as an increasing number of impoverished Jews flee oppression in czarist Russia, public opinion in the West regarding their immigration is beginning to sour. With the help of his mentor, famed attorney Louis Brandeis, Kallen builds a network of prominent American Jews committed to the establishment of a Jewish Palestine. When World War I breaks out, an opportunity arises. Chaim Weizmann, a British chemist and Zionist, offers a proposition to Sir Mark Sykes, a British official: If the Zionists in the United States can bring America into the war on the side of the British, then the British could reward them with a Jewish state in Palestine: “We have connections to President Wilson’s closest advisors….We also have some friends in the American press,” Weizmann claims. “If the American newspapers were to sell the war to the public… President Wilson would be more inclined to enter the war.” This plan doesn’t please all Zionists, and it’s not the only secret plan that’s underway to try to secure a Jewish state, but it proves to be the best opportunity for Kallen to achieve his goal. One question remains: Will he put his adopted country at risk in order to achieve something—Israel—that hasn’t existed for millennia? Jensen seeks to dramatize the relatively obscure titular event, but the fact that it overlaps with a highly significant historical period means that he’s able to include a number of famous figures among the dramatis personae. In addition to Brandeis, readers encounter U.S. Ambassador to the Ottoman Empire Henry Morgenthau Sr., British Foreign Secretary Arthur Balfour, and U.S. President Woodrow Wilson. As a result, the author largely achieves his goal of presenting the era’s diversity of opinion regarding the potential future of the Jewish people: “Some of the anti-Zionists in the United States say that the ancient land of Israel is gone forever….They say that America is the new Zion,” Brandeis says at one point. The play’s scenes involve a large amount of exposition, and the work as a whole often seems aimed more at providing education than entertainment. However, Jensen manages to keep the play engaging. Two characters are particularly well-drawn: Kallen, who may be new to many readers, and Brandeis, who’s well-known but not often dramatized. Even if readers are familiar with the general sweep of this work’s history, many won’t know the specifics of its particular incidents—and they’ll likely be curious to see how they play out.

An informative drama about an important chapter of Zionism.

Pub Date: Sept. 30, 2017

ISBN: 978-1-5496-5935-5

Page Count: 203

Publisher: Time Tunnel Media

Review Posted Online: Dec. 4, 2018

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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