THE UNFORTUNATES

A queer Black college student alchemizes her rage into a mixed-media document exposing how her university has failed its Black community in this inventive debut novel.

In 2013, Sahara Kesandu Nwadike—her father is Nigerian and her mother African American—is a sophomore studying English in Chicago. Classes barely engage her (she dubs her intro to writing course “High School Revisited”); she feels she’s mostly there to form part of a “diversity showcase” and resents rich kids like her absentee roommate. The campus culture is one of pervasive microaggressions, with buildings named after eugenicists and the Black Student Coalition headed by white Ph.D. student “Lone Caucasian.” The book’s title refers to Black students who have dropped out, transferred, or died—including by suicide. Sahara looks set to join their ranks: She’s been drinking and cutting for years, and her substance abuse accelerates as she tries to impress a clubbing buddy. She personifies her depression as “Life Partner,” who perpetuates self-destructive behaviors such as disordered eating. Trying to rescue her from the brink are her Korean American best friend, “Ride or Die,” and her “constant crush,” Mariah. Chukwu is matter-of-fact about Sahara’s bisexual attractions and explores mental health and suicidal ideation with a sardonic but never flippant tone. The book's imaginative structure provides a lift: It takes the form of Sahara's honors thesis, inspired by her late Aunt Nita’s zine, organized into “Tracks” and filled with paper collages, chat threads, playlists, emails, and imagined dialogues. Sahara addresses the thesis committee directly, and her one-liners zing. The nicknames and party scenes grow somewhat wearisome; the plot doesn’t soar until a tragedy brought on by the university hospital’s negligence. Still, in energy this is reminiscent of Luster and Queenie.

Exciting in form; powerful in content.