Readers should hope that this winning mystery series starring a gardener/detective will be fruitful and multiply.
A murder in the precisely manicured gardens of a North Carolina estate leads to an investigation involving fake Civil War relics.
In this second volume of his Penny Summers mystery series, Gordon (Katelyn’s Killer, 2017) transports his heroine to the lush landscapes of Brantleigh Manor. Penny, a former Navy public affairs officer and master gardener, is there as a member of Madison Lerrimore’s residential-design class, savoring the creations of the famed Frederick Law Olmsted. But after they find Madison’s estranged stepfather, Wayland, dead in the bushes, Penny and her friends are soon learning lessons of a deadly kind. They get entangled in a conspiracy that has blossomed around counterfeit Confederate memorabilia. Wayland and some of his fellow Civil War re-enactors sold a bogus battle flag to a wealthy collector. But Wayland cheated his fellow criminals. Then someone shoots Madison in the leg at a re-enactment of the Battle of Asheville. Aided by Kalea, Madison’s daughter, a junior crime scene detective wannabe, Penny investigates the murder, shooting, and fraud. With Wayland’s checkered past, there is no shortage of suspects, including Madison, whom he had abused. Penny even finds time for romance with Aaron Hunt. Previously, Penny and the Navy senior petty officer had solved the murder of his fiancee, Katelyn, although they hadn’t acted on the spark between them then. Will the sleuthing trio, helped somewhat by Penny’s psychic Aunt Zelma, uncover the culprit? Outdoor design wouldn’t seem like a natural jumping-off point for murder, but garden aficionado Gordon makes it feel organic. This well-researched book brings the Asheville region alive, turning it into a character of sorts. As for the protagonist, she is a reluctant detective with a fraught history: She has returned to the area where her childhood ended when her younger brother, Josh, drowned on her watch. Penny, whose mother left after that tragedy, feels a bond with Kalea, who is afraid of losing Madison. So Penny doggedly seeks the truth, in large part to protect her family and friends. For a fledgling garden architect, she proves an engaging and skillful sleuth. Gordon has artfully nurtured a charming whodunit.
Readers should hope that this winning mystery series starring a gardener/detective will be fruitful and multiply.Pub Date: N/A
ISBN: N/A
Page Count: 238
Publisher: Dog Ear Publisher
Review Posted Online: March 9, 2018
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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