An often engaging mix of soap-operatic melodrama and rom-com gratification.
Four women discover that their conflicts can bring them closer together in this novel about family, love, and self-esteem.
The Aaldenbergs are strict believers in tradition. Their lives revolve around the family hardware store—a centerpiece of their small hometown, where livelihoods are driven by tourist seasons, loans, and the generosity of neighbors. The family is thrown into disarray, however, when their patriarch dies from cancer. Gwen, the eldest sister at 22, is desperate to leave for Boston, but feels held back by an obligation to bring the family out of financial straits. Betta, 20, dreams of owning the store and leaving her own mark on the town but feels overshadowed by Gwen. Teenage Esmerelda gets involved in high school vendettas and steals things from the family store as she tries to find herself. And Wanda, the matriarch, falls into a deep depression after discovering that her spending habits have put the family in debt. Meanwhile, separate infidelity scandals involving Gwen and Betta threaten to tear the family apart. With the riveting intrigue and melodrama of a soap opera, Mercer (Dark & Stormy, 2017) infuses rich psychoanalytical insight into each gesture and conversation: “Esmerelda loved how his smiles worked in fractions. She liked measuring them, what made them pass a quarter to a half, and what kind of seriously fabulous business pushed him to three-fourths.” But Mercer’s tendency to explicitly and repeatedly state each character’s central flaws and insecurities renders them predictable. This is especially the case with the underdeveloped love interests and antagonists, as relationships seem unable to survive on unconditional love and acceptance. Despite these histrionics (and occasional typos), Mercer’s prose is lucid and her themes of redemption and reinvention are resonant: “ ‘People come and people go.’ And after they go…all you’re left with is you,” thinks Betta at one point. Overall, this novel is more than just a wild drama about romance and family; it’s about learning how to deal with loss, choose what matters most, and be happy with who you are.
An often engaging mix of soap-operatic melodrama and rom-com gratification.Pub Date: May 15, 2018
ISBN: 978-1-73213-321-1
Page Count: 339
Publisher: Bare Ink
Review Posted Online: May 18, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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