An intricate, lively detective novel with a wink.
An aspiring lawyer scrapes together a living as a Renaissance man and amateur sleuth in Rieger’s witty debut.
Roderick Misely has dreams of joining the legal profession, but his father’s tarnished name has prevented any of the lawyers in the 1950s town of Elk Neck from taking him on as an apprentice. So Misely does whatever he can to skirt as close to the legal profession as possible as an all-purpose consultant. Chasing down lost dogs for the reward and taking on menial typing jobs with the municipal government are only a few of the tasks that keep a can of stew on his hot plate or enough change in his pocket for a meal at the local Greek restaurant. His specialty, however, is solving seemingly unsolvable mysteries, from the theft of expensive jewels at the local museum to the blackmail of a town official. Sometimes, Roderick acts at the request of a desperate client, but other times he hangs his hopes on meddling without invitation of a possible payday. Each chapter is a glimpse into one of those cases and the variety of creative but legally fuzzy methods that Roderick employs to crack them. These bite-sized whodunits toe the line between the zany and dangerous without reading over-the-top—a savvy mixture from which even more seasoned writers could learn a thing or two. All the while, Rieger’s writing is effortlessly funny, with deadpan humor coloring even the most mundane moments: “The two shook hands. Misely could have sworn he was handling a live, wet eel. Instinctively, he looked around for a towel, but of course, there was no towel.” Roderick himself is fairly humorless but is nonetheless a refreshing take on the 1950s gumshoe. He’s a smooth talker and skillful investigator, with none of the cool glamor or idealized independence of some other fictional private eyes. Eschewing friends, he’s certainly out for himself, but his freedom comes with a healthy dose of reality. Life hasn’t turned out the way he expected; he struggles to make ends meet and sleeps on a cot in his cluttered “eyesore” of a suite. Clever and comical, this page-turner will have readers furrowing their brows one minute and laughing out loud the next.
An intricate, lively detective novel with a wink.Pub Date: April 25, 2013
ISBN: 978-1593308186
Page Count: 342
Publisher: Aventine Press
Review Posted Online: Sept. 18, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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