In catchy, clever verse, the prolific Lewis (Earth and You: A Closer View, not reviewed, etc.) plays with place names, marvels at the journeys of several explorers, goes “Island Hopping,” gads about the cities of Europe, even provides mnemonics to distinguish stalagmites from stalactites, and latitude from longitude—“Lines of latitude / Have a f l a t i t u d e. / Longitudinal lines / Rise like porcupines.” The crackle finish on Jay’s smoothly brushed artwork seems a bit mannered, but she adds plenty of imaginative visual twists to the poems; while the Red, Yellow, and Black Seas, for instance, flow out of oil-paint tubes, the Dead Sea comes from a salt shaker, and the Poles, described as “continental / Plates of white ice cream,” are each capped by a jauntily-angled cookie. Lewis closes on an earnest note, urging readers to “Walk Lightly” upon the Earth. Young globetrotters and armchair travelers alike will happily climb aboard for the ride: “Go by yourself or invite a good friend / But traveling by poem is what I recommend.” (Poetry. 8-11)
Pub Date: March 1, 2001
ISBN: 0-8037-2579-5
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
Simon tackles his latest natural disaster in trademark but not very modern style. Information on hurricanes is clearly presented but poorly organized, and lacks any sense of drama or story. Aimed at the same age group as Dorothy Souza’s Hurricanes (1996) and Patricia Lauber’s Hurricanes: Earth’s Mightiest Storms, this falls short of both, often going into too much pedantic detail—the wind speeds of tropical depressions versus tropical storms—while failing to put needed perspective on some of the more eye-popping statistics. A hurricane can move more than a million cubic miles of atmosphere per second—but the naked numbers are essentially meaningless to students who think of millions in terms of ballplayers’ salaries and can’t imagine cubic miles at all. Photos of smashed houses and boats in front yards add excitement, but others—plain clouds?—detract; some are very grainy when blown up to the requisite full page. Formulaic and a numbing read-aloud. (Nonfiction. 8-10)
Pub Date: Aug. 1, 2003
ISBN: 0-688-16291-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2003
The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2006
ISBN: 0-399-23998-7
Page Count: 48
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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