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THE NAVAJO CODE TALKERS

Once again, the individual Native Americans are lost in history.

Persecuted by the U.S. government, many Navajo children were forced to give up their language in boarding schools established in the 19th century and designed to eradicate Native American culture.

Ironically this language would be used during World War II as a secret code by American military forces in the Pacific. Although other Native Americans became Code Talkers, the Navajo were the largest in number (about 420). Their unusual achievement was kept a secret until 1968, when new technologies superseded Navajo code-talking and “the heroic story of the People could be told.” This powerfully illustrated large-format informational picture book provides the outline of both that story and the code itself, which used Navajo words to represent Roman letters, employing them as substitutes for English words, such as chay-da-gahi (“tortoise”) to mean “tank.” Illustrated samples are given in the text, but it still may not be enough for all readers to fully understand how the code worked. The somber pastel drawings are striking, and the ironic situation—a language once vilified that becomes an almost magical weapon—is made evident, but it is too bad readers aren’t given glimpses of the men who participated in this endeavor. The only people named are Philip Johnston, “an Anglo missionary’s son who had grown up with the Navajo” and who suggested the idea, and Marine Maj. Howard Connor, a white officer.

Once again, the individual Native Americans are lost in history. (endnotes, artist’s notes, selected bibliography) (Informational picture book. 9-12)

Pub Date: Sept. 1, 2016

ISBN: 978-1-56846-295-0

Page Count: 32

Publisher: Creative Editions/Creative Company

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THANKSGIVING

THE TRUE STORY

After surveying “competing claims” for the first Thanksgiving from 1541 on, in Texas, Florida, Maine, Virginia and Massachusetts, Colman decides in favor of the 1621 event with the English colonists and Wampanoag as the first “because the 1621 event was more like the Thanksgiving that we celebrate today.” She demonstrates, however, that the “Pilgrim and Indian” story is really not the antecedent of Thanksgiving as we celebrate it today. Rather, two very old traditions—harvest festivals and days of thanksgiving for special events—were the origin, and this interesting volume traces how the custom of proclaiming a general day of thanksgiving took hold. Yet, since many Thanksgiving celebrations in towns and schools are still rooted in the “Pilgrim and Indian” story, which the author calls “true and important,” but which many Native Americans find objectionable, a more in-depth discussion of it is warranted here. The solid bibliography does include some fine resources, such as 1621: A New Look at Thanksgiving (2001) by Catherine O’Neill Grace and Margaret M. Bruchac. (author’s note, chronology, index) (Nonfiction. 8-12)

Pub Date: Sept. 1, 2008

ISBN: 978-0-8050-8229-6

Page Count: 160

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2008

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GETTYSBURG

THE GRAPHIC NOVEL

This sophisticated contender in the graphic nonfiction market opens with “The Story So Far,” setting the stage for the events that led to the bloody Civil War battle at Gettysburg. Clearly defined art and sharply delineated panels portray all of the horrors of battle: the numerous casualties, both human and animal, the impromptu and severely unhygienic operating rooms and the impact that this event had on those who lived there. A vast cast of characters—an even and improbable dozen—introduced early on does little to help readers follow the action. Rather, this feature obfuscates things, as many of the men have similar looks, varying only slightly in their coiffed hair or a hat and a mustache. It shines in its closing pages, compressing Edward Everett’s two-hour speech into a few panels and giving Lincoln’s Gettysburg Address a good 20 pages to make itself felt. Undoubtedly smarter and more astute than many of its graphic-nonfiction counterparts, this book should speak to those seeking a visual account. (map, author’s notes; footnotes, bibliography, not seen) (Graphic nonfiction. 9-12)

Pub Date: Jan. 1, 2009

ISBN: 978-0-06-156176-4

Page Count: 80

Publisher: Bowen Press/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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