Somber and inspirational.
The Children’s Poet Laureate salutes 15 men and women, including one child, who spoke out and acted for equality and liberty, several at the cost of their lives.
The names are familiar: Mohandas Gandhi, Nelson Mandela, Jackie Robinson, Harvey Milk, Josh Gibson, Aung San Suu Kyi. They are less well-known: Mitsuye Endo, Helen Zia, Sylvia Mendez, Dennis James Banks, Muhammad Yunus. They are wives or mothers: Coretta Scott King, Mamie Carthan Till. One is a child, Sylvia Mendez, who wanted to attend a whites-only school in California. Three died too young on a dark road in Mississippi: Michael Schwerner, Andrew Goodman and James Cheney. All receive a stirring page of rhymed verse accompanied by a single- or double-page spread painting created by one of five artists: Jim Burke, R. Gregory Christie, Tonya Engel, John Parra and Meilo So. So’s bright colors against a white background speak of affirmation and pride for Kyi, Zia and Milk, while Burke’s somber palette evokes the fear of the three civil rights workers and the “nightmare world” of Mandela’s imprisonment. Parra decorates his pages with details from the lives of Mendez, Yunus and Endo. From political activists to an astronaut and from baseball legends to a typist in a World War II internment camp, they raised their voices and sometimes their fists.
Somber and inspirational. (thumbnail sketches) (Poetry. 10-16)Pub Date: Feb. 1, 2013
ISBN: 978-1-4521-0119-4
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Barnard’s brave effort to cram such an immense subject into 40 pages leads to some debatable claims. He opens with a sweeping history of Muslim expansion (“Early Muslims knew they had a lot of catching up to do to equal or surpass the great civilizations that preceded and surrounded them”) and continues generalizing throughout (“Until the twentieth century, most buildings in most cities owed much of their look to Islam”). Single-topic spreads cover the development of Arabic calligraphy and the mass production of paper, revolutions in mathematics and medicine, artistic and architectural motifs, astronomy and navigation, plus the importation of new foodstuffs, ideas (e.g., marching bands, hospitals) and technology to the West. The array of street scenes, portraits, maps, still-lifes and diagrams add visual appeal but sometimes fall into irrelevancy. Labored stylistic tics stale (the Caliph’s pigeon post was “the email of the day,” the astrolabe was “the GPS device of its day,” the translation of Classical texts was “the Human Genome Project of its day”). The author winds down with a discussion of how the dismissive attitude of Renaissance “Petrarchists” led to a general loss of appreciation for Muslim culture and scholarship, then finishes abruptly with a page of adult-level “Further Reading.” Enthusiastic, yes; judicious and well-organized, not so much. (Nonfiction. 11-13)
Pub Date: April 5, 2011
ISBN: 978-0-375-84072-2
Page Count: 40
Publisher: Knopf
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
Superb versions for reading alone or for sharing with audiences large or small.
Oft-told tales retold with uncommon verve and outfitted with resplendent Art Deco–style portraits.
Napoli opens with the rise of the “mother force” Gaia to bring order to the whirling elements of Chaos and closes with the devastation of the Trojan War (“the doing of gods with too much time on their hands”). In between, she introduces over two dozen immortals and heroes—including Hestia, Helios and Selene among the better-known Olympians and their mortal offspring. While somehow managing to keep all the sex inexplicit (Aphrodite is born, for instance, from the “foam” produced by an unspecified body part ripped from her father Uranus), she lays out clear family lines. She pays close attention to her narrative’s tone and sound, capturing the nature of each god or mortal with vivid turns of phrase: Peaceable Hestia considers Zeus a “frightful maniac,” Orion grows up to become “an insufferably pompous nitwit” and Selene is left to pine, “silver sweet, and soft, and sad,” for her eternally sleeping lover, Endymion. Applying rippling strokes of intense color, Balit opens with a shimmering family tree of Olympians, heads each chapter with a stylized full-body image of a mythological figure with associated emblems and symbols and also contributes interior illustrations and thumbnail portraits for the closing summary cast list.
Superb versions for reading alone or for sharing with audiences large or small. (Mythology. 10-14)Pub Date: Oct. 11, 2011
ISBN: 978-1-4263-0844-4
Page Count: 192
Publisher: National Geographic
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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