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FREEDOM FLYERS

THE TUSKEGEE AIRMEN OF WORLD WAR II

A scholarly but accessible treatment of a significant forerunner of the civil-rights movement.

Moye (History/Univ. of North Texas) takes a sober, probing look at the complicated segregated context in which black men trained and were deployed as pilots during World War II.

Integration of the Armed Services came by President Truman’s executive decree in 1948, and then as a political re-election nudge, but it was largely due to the valiant performance and active advocacy for equal rights by the black pilots such as those trained at Tuskegee Army Flying School. Before WWII, segregation reigned in all aspects of American life, and the Army War College maintained strict racist stereotypes regarding black soldiers—they were superstitious, “susceptible to the influence crowd psychology” and “unmoral [sic],” according to the “pseudoscientific” 1925 study “The Use of Negro Manpower in War.” However, by June 1941 Roosevelt was aware of the danger of alienating blacks from an all-out war effort, recognizing the significance of their power: “Our problem is to harness and hitch it up for action on the broadest, daring and most gigantic scale.” Thanks to lobbying by presidents of historically black colleges like Wilberforce, Hampton and Tuskegee, the creation of the Civilian Pilot Training Act of 1939 allotted allowances for the training of black pilots as well as whites. The NAACP and others objected to the segregation of black pilots at Tuskegee as a creation of “a Jim Crow air squadron.” Nonetheless, nearly 1,000 pilots graduated from the program, and nearly half of them flew in combat, proving mightily to the world their capabilities. Moye follows the careers of many of these pilots, their experience of discrimination in the Army and shameful treatment afterward, and how vigorous efforts by Eleanor Roosevelt, William H. Hastie and others helped change perceptions.

A scholarly but accessible treatment of a significant forerunner of the civil-rights movement.

Pub Date: April 1, 2010

ISBN: 978-0-19-538655-4

Page Count: 256

Publisher: Oxford Univ.

Review Posted Online: Jan. 11, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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