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THE JAPAN CONSPIRACY

Washington columnist Anderson (The Cambodia File, 1981, with Bill Pronzini; etc.)—famed and prized for his exposure of real-life evil political deeds—cooks up fictional thrills having to do with ruthless Japanese who still carry a grudge and have the billions in gold bullion to do something about it. As America's ill-advised, inexperienced President Walton (nudge, nudge, wink, wink) prepares to fly off to Osaka for a summit with the Japanese prime minister, pretty, ambitious, orphaned, young lawyeress Alison Carey and moody, insecure, but basically swell young lawyer Kevin Daulton—employees of a vastly powerful L.A.- D.C. law firm—slave over an immensely complex stock offering for a rabidly anti-Japanese conglomerateur. But what's this? Alison's first glimpse of her firm's ultrapowerful senior partner reveals him to be the same powerful manipulator she just happened to see secretly hobnobbing with even more ultrapowerful Japanese executives on a visit to her sister in, of all places, Guam. Wouldn't his loyalties be, you know, divided? At the same time, Elinor Woods—the kindly, attractive junior senator from California—gets an anonymous note on CIA letterhead urging her to ask the secretary of state what he knows about something called the ``O Fund,'' which she does, scaring the bejeebers out of the secretary and giving her committee chairman apoplexy. On the West Coast, the young lawyers look into the doings of their treacherous boss. On the East Coast, the senator and her dedicated Chicano chief of staff look into the ``O Fund,'' which has something to do with ill-gotten Manchurian gains. In Japan, a cabal of imperialist industrialists, gangsters, and politicians prepare to bring about the total collapse of the American financial system while President Walton is in Osaka suffering, as did his predecessor, from an upset stomach. It's all one big conspiracy. Heartstopping for foreign-policy wonks, who will, presumably, not be put off by bureaucratic dialogue (``Farrow grunted. `Gold was essential, of course' '').

Pub Date: July 1, 1993

ISBN: 0-8217-4212-4

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1993

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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