by Jack Dann ‧ RELEASE DATE: Aug. 1, 2004
Relentlessly trashy and profane, name-dropping and scandal-mongering.
Veteran novelist Dann (Counting Coup, 2001, etc.) wonders how different things might have been if James Dean had survived his 1955 automobile accident.
Unfortunately, the author hasn’t so much “imagined” the actor’s post-crash life as plunked him down in a Harold Robbins–style tale of gratuitous sex, ambition, and famous people behaving badly. Already a boozer before his car crash, Dean discovers a young, mumbling Elvis Presley among his bedside visitors. He emerges from the hospital addicted to painkillers and internationally famous as the star of Rebel Without a Cause. The shallow, mostly clueless Dean moves to New York City, harboring ambitions to direct films. He shrugs off his gay lovers and meets Jack Kerouac, who later writes a screenplay of On the Road for him. An earlier screenplay about Billy the Kid has Dean and director Nick Ray dickering with Colonel Tom Parker over Presley’s participation; in the first of a very few amusing turns, Elvis agrees to star because he wants to be taken seriously as an actor. (A scene of Dean and Elvis racing slot car replicas of the vehicles they previously trashed is one of the other all-too-rare gems sparkling amidst the dross.) Dann is so eager to pile on the sex ’n’ sleaze that he never lets us see Dean doing what we're told he does best: act in films. While defending Marilyn Monroe from an abusive Joe DiMaggio, Dean decks Frank Sinatra at Chasen’s. Marilyn leads him to Bobby Kennedy, who wants Dean to make a movie about him. Dean can’t prevent Monroe’s suicide and suspects Bobby Kennedy might have had something to do with it. He acquires her secret diary, only to have it pried from his grasp by Bobby. The two work out a truce, brokered by Ethel, providing an entry for Dean into politics. The arbitrary climax hints that the brooding Byron from Indiana could have beaten the Kennedys at their own game.
Relentlessly trashy and profane, name-dropping and scandal-mongering.Pub Date: Aug. 1, 2004
ISBN: 0-380-97839-3
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Nora Roberts ‧ RELEASE DATE: June 13, 1995
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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